1) Fu essays that the authors express their pathos by mourning Qu Yuan
悼骚
2) Sao
骚
1.
Sao, Li Sao , poems of the Sao style, Sao Fu, 4 .
三、骚:《离骚》、骚体诗、骚体赋、《离骚经》。
2.
All through the ages it is very difficult to distinguish, to define the Fu whose definition even is contrary to its style, moreover there are enough different opinions about the relationship between the Fu and Sao.
历来对赋文体的具体定义或界说,存在难以言说清楚的悖难,至于赋、骚亦各持异说。
3) mourning
[英]['mɔ:nɪŋ] [美]['mɔrnɪŋ]
悼亡
1.
But imbalance-lack of works with mourning themes,existed during its relative perfection period,into which this thesis probes from aspects of both times and social culture.
但其在相对全面的时候还存在不平衡性,即缺少悼亡题材的伤逝作品,本文将从时代和社会文化两方面进行探讨。
4) Mourning Becomes Electra
《悲悼》
1.
On the Protagonists Resolution in Desire Under the Elms and Mourning Becomes Electra;
《榆树下的欲望》与《悲悼》归属感主题探讨
2.
Spiritual Mutation vs Psychical Salvation——The Orestes Theme:Its Modernist Representation in Eugene O Neill s Mourning Becomes Electra;
精神的异变与心灵的救赎——论俄瑞斯忒斯主题在奥尼尔《悲悼》三部曲中的现代性呈现
3.
Sins and Redemption in Modern Drama——A Prototypical Reading Of Eugene O Neill s Mourning Becomes Electra;
现代悲剧里的罪与罚——尤金·奥尼尔的剧作《悲悼》的原型解读
5) lamenting over young girls
悼红
1.
By discussing the education problem of future generation and Baoyu and Daiyu s great love and the beauty of tens of thousands of young girls and it s destruction,the paper points out the gist of A Dream of Red Mansions is lamenting over young girls----The novel not only depicts tens of thousands of young girls,but also describes their deathes.
从贾府衰败、后继无人的下一代教育问题和以思想、心灵契合不惜生命相搏的宝、黛爱情以及千红、万艳、群芳的美和美的毁灭的问题,说明《红楼梦》题旨在“悼红”——“红楼”写千红、万艳、群芳故冠以“红”;又一“梦”成“空”,就深具“悼”之情,故“悼红”二字是书的总主题。
补充资料：悼诗
【诗文】：
永念难消释，孤怀痛自嗟。雨深秋寂莫，愁引病增加。
咽绝风前思，昏濛眼上花。空王应念我，穷子正迷家。
【注释】：
【出处】：
全唐诗：卷8_11
永念难消释，孤怀痛自嗟。雨深秋寂莫，愁引病增加。
咽绝风前思，昏濛眼上花。空王应念我，穷子正迷家。
【注释】：
【出处】：
全唐诗：卷8_11
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条