1) Annotation of DRM
《红楼梦》注释
2) A Dream of Red Mansions
红楼梦
1.
Examples Showing the Effects of Food and Drinks in 《A Dream of Red Mansions》;
《红楼梦》中饮食作用举要
2.
On the Creation of Poem-like Mood of A Dream of Red Mansions;
试论《红楼梦》诗化意境的创造
3) A Dream of Red Mansions
《红楼梦》
1.
The Traditional Chinese Medical Culture in the English Versions of A Dream of Red Mansions;
《红楼梦》英译本中的中医药文化现象
2.
On Foreignizing and Domesticating Translation Strategy of Addressing Terms in A Dream of Red Mansions from a Perspective of Skopos Theory;
从目的论看《红楼梦》两个英译本中称谓语的归化与异化
3.
The History of Research into A Dream of Red Mansions Is One of A Dream of Red Mansions Being Accepted——Reflections on the centennial novel A Dream of Red Mansions interms of criticism acceptance;
《红楼梦》研究史就是《红楼梦》被接受的历史——关于百年《红楼梦》小说批评接受研究的思考
4) A Dream of Red Mansion
《红楼梦》
1.
Cao Xueqin’s Views on Values of Education and Learner Autonomy: An Approach from A Dream of Red Mansion;
论《红楼梦》的教育价值观和自主性学习观
2.
Influence of Culture on Language through Reading A Dream of Red Mansions;
文化对语言的影响——以《红楼梦》为例
3.
On the Different Versions of Translating "Xiao Dao" In a Dream of Red Mansion;
《红楼梦》中“笑道”译法
5) Hong lou meng
红楼梦
1.
Problem on the cultural fusion horizon of translation——An analysis on English version of Hong Lou Meng;
试论翻译的文化视界能否融合的问题——从《红楼梦》英译谈起
2.
An Analysis of the Translation Strategies of the Two Versions of Hong Lou Meng:A Polysystem Theory Perspective;
从多元系统理论看杨译及霍译《红楼梦》的翻译策略
3.
The author of "Hong Lou Meng" is not Wu Meicun;
《红楼梦》作者不是吴梅村——与《〈红楼梦〉作者新探》一文作者商榷
6) Hong Lou Meng
《红楼梦》
1.
Contrastive Analysis of Fuzzy Rhetoric Adopted in Two Renditions of Hong Lou Meng;
《红楼梦》中模糊修辞的运用及两种英译比较
2.
The Difference of Cultural Metaphon in Hong Lou Meng;
从《红楼梦》英译本看文化隐喻的差异性
3.
On the Influence of the Manipulation by Ideology and Patronage on "Unfaithfulness" in Translation—— Comparative Study on the Two English Versions of Hong Lou Meng;
意识形态与赞助人对翻译的操纵——《红楼梦》两个英译本的比较研究
补充资料：注释
| 注释 annotation 对书籍或文章的语汇、内容、背景、引文作介绍、评议的文字。中国古代分得较细，分别称之为注、释、传、笺、疏、章句等。现在一般通称注释。包含的内容很广。诸凡字词音义、时间地点、人物事迹、典故出处、时代背景都是注释对象。有脚注、篇末注、夹注等形式。古籍注释列在正文之中，有双行夹注和夹注。现代书籍注释列于正文当页之下，称脚注，亦称本面注；列于文章之后或列于书籍之后者称篇末注。不管采用何种方式，全书注文的编排一般要求统一，以便于读者查考。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条