1) criticism of poetic styles
诗歌风格批评
1.
His ways of making literary appraisal could be divided into following three groups: criticism of poetic rhetorical devices, criticism of poetic styles and criticism of poetry comparison.
这主要体现在以下三个方面:其一是意新语工之品(诗歌修辞批评),其二是辨味之品(诗歌风格批评),其三是格调家数之品(诗歌比较批评)。
2) poetry criticism
诗歌批评
1.
His poetry criticism not only has the features of the age but is also resounded with individual characteristics because o.
非同寻常的经历和学识使其诗歌批评既富有时代色彩,又充满了个性特征。
2.
LU Shiyong greatly apply the category of "Yun","Qu","Wei" to detailed appreciate and criticize poets and poems in his poetry criticism;by this base,he make the theoretical explanation to the three aesthetic categories,the contents mainly show: praising them as the poetry aesthetic root;probing their aesthetic characteristic;inspecting their creating and production.
陆时雍在诗歌批评中大量运用“韵”、“趣”、“味”等审美范畴,对诗人诗作予以了细致的赏会与论评。
3.
Wu Si-jing reveals as a kind of spirit of poetics personality on one hand, and as the principle of idea and logic carrying out in his poetics exploration in a wide range on the other hand, which forms the central idea, logical clue and critical criterion in his construction of fundamental poetics theory and poetry criticisms.
"主体性"在吴思敬那里一方面表现为一种诗学人格精神,另一方面也作为观念原则和逻辑原则贯穿在其全方位的诗学探索中,并由此构成其诗学基本理论的建构和诗歌批评的中心观念、逻辑脉络和评判标准。
3) poetic criticism
诗歌批评
1.
The poetic criticism in the Chinese ancient literature essay WENXINDIAOLONG forms by itself a theoretic system.
《文心雕龙》中的诗歌批评自成理论体系 ,其一是《明诗》篇中对诗歌抒发情志的特征作了较为深入的探讨 ;其二是《情采》篇中强调诗的缘情审美特性 ,提出“为情造文” ,达到诗歌创作中情理并存、情志并重的状态 ;其三是《知音》篇中提出了较为完整的诗歌批评鉴定理论 ,对诗歌鉴赏的主体和客体诸方面因素作了细致的分析 ;其四是《神思》、《隐秀》篇中对诗歌意象的深入探索 ,指出诗歌的特点就在于意存象中、隐在秀中 ,主客观相通 ,物我交融等 ,这些都是刘勰对中国诗论的重大贡献。
5) poetic style
诗歌风格
1.
The poetic styles of the Nan Dynasties have been changed constantly in the process of their consummation.
南朝诗歌在逐渐走向完美、精致的形成过程中其风格不断变化,不同时期的诗歌风格也呈现出各异的特点。
2.
Critics generally regard Howl as being typical of Allen Ginsberg s poetic style while ignoring the significant changes that occurred in his later poems.
人们一般把《嚎叫》的风格视作金斯伯格的诗歌风格。
6) poetry style
诗歌风格
1.
The article carries on the analysis to the contents and to the art characteristics of LiaoYan s poems, reveals the artistic origin of his natural poetry style that formed by conscientious.
清初韶州诗人廖燕的竹枝词活泼明快、朴实自然,富有浓郁的生活气息和鲜明的地方风貌,这对于了解清初岭南地区的风俗民情和竹枝词的流传情况多有助益,通过对他的竹枝词的内容和艺术特点的分析,可以揭示廖燕诗歌自觉向民歌学习、诗歌风格中质朴自然的艺术渊源。
2.
Analysis of this article focus on the life of XueTao, poetry content, poetry style, creative content.
二十世纪之后,学者对其生平、交游、诗歌风格等方面的研究日益增多和全面。
补充资料：李白、杜甫诗歌风格与其性格
李白、杜甫诗歌风格与其性格
Li Bai and Du Fu's poetic style and their character
李白、杜甫诗歌风格与其性格(Li Baiand Du Fu’5 Poetie style and theireh盯aeter)李、杜诗歌的风格不同。李白“清新飘逸”，杜甫却是“沉郁顿挫”。说李白的诗清新飘逸，是杜甫对他的评价。杜甫《春日忆李白》诗云:“白也诗无敌，飘然思无群。清新庚开府，俊逸鲍参军。’，李白自己也说:‘。清水出芙蓉，天然去雕饰。”这是他的自我评价。他的诗格之所以如此，与其性格有关。他热情奔放，富于想像力，并有远大的理想。又加他的思想受道家影响，超世拔俗，故有浪漫主义的性格。杜甫，之所以说他的风格是“沉郁顿挫”，因其忧国忧民之心，郁结于怀，如鲤在喉，不得不吐。发之诗歌，一字一血，抑扬顿挫，催人泪下!他在 《春望》中歌道:“国破山河在，城春草木深。感时花溅泪，恨别鸟惊心!”又说:“安得广厦千万间，大庇天下寒士俱欢颜，风雨不动安如山!..·…”(《茅屋为秋风所破歌》)杜甫诗的风格之所以这样，一则他有伟大的胸怀，炽热的感情，故能“兼善天下”;二则他深受儒家思想的影响，又加饱受战乱之苦，故能以己度人，有忧国忧民的情思。可见，杜甫不愧为伟大的现实主义者。 (刘迷均撰匝豆}审)
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参考词条