2) problem novels

问题小说
1.
The allthor wants to compare the sameness and difference between Bing xin and YeSshengtao s exploring on methods of improving society and life by describin what they experienced during they created their "problem novels" and sorght love and sense of beauty.
比较说明冰心和叶圣陶在创作“问题小说”中追求“爱”和“美”的经历 ,反映两人探求改良社会、改良人生途径的异同。
2.
The proliferation of problem novels, as an outstanding culture phenomenon of the early stage of the New Literature Movement, should not be interpreted in the view of“style” or “theme”.
问题小说创作热,作为新文学运动早期的一个突出的文学现象,不应该从“文体”和“题材”的角度来理解,而应该看问题小说在处理“问题”与“小说”的关系上,在哪些方面超越了中国传统小说和近代小说。
4) problem novel

问题小说
1.
Among the “problem novels”,Binxin s works are the most remarkable.

在众多的“问题小说”中,冰心无疑是最为引人注目的。
2.
By analyzing the text including new hero legend,problem novel,family literature and ironic literature,the paper measured the literary value with four dimensions.
文章通过文本分析,从新英雄传奇、问题小说、家庭文学和讽刺文学四个维度考量“百花文学”的文学价值。
3.
The paper re-investigates, discriminates some of the problem novels and their relative writers creating experience and analyses the background of problem novels briefly in order to give a clear idea of the essence of the word "problem".
五四"问题小说"是特定时代的产物,也是"为人生"派小说的一种。
5) subject matters of novel

小说题材
6) question novel

问题小说
1.
The instrinsic of Zhao Shuli s "question novel"is composed of the imaginary world and the real world.
赵树理“问题小说”的内在结构由现实世界和想象世界两部分构成。
2.
The Beautiful Figure" written by Bovwa is a question novel that reflects woman question and manifests feminist conciousness.
波伏瓦的《美丽的形象》是一部问题小说,一部反映妇女问题、表现女权意 识的问题小说。
3.
Xiao Erhei got married was a masterpiece of Zhao Shuli\'s "question novel",San Xiangu among the article was one of most successful personage\'s images,through analyzing San Xiangu\'s image,the author will make people know the state of rural society development at that time,make clear the artistic characteristics and great meaning of Zhao Shuli\'s works and the creation lost of "question novel".
《小二黑结婚》是赵树理"问题小说"的代表作,其中的三仙姑是最成功的人物形象之一。
补充资料:麦加芬母题
该词源于电影导演亚弗烈希区考克的电影技法,指将电影故事带入动态的一种布局技巧。它通常是指在一部悬疑影片的情节开始时,能引起观众在好奇心的驱使下,很快地进入情况的戏剧元素,如在某一个物体、人物、甚至是一个谜面。如在希区考克的《大巧局》(1976)中,麦加芬是指一们失踪的继承人。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
参考词条