2) Tan Ci
弹词
1.
Tan Ci is seemed as the characteristics of "female style", which is materialized in the five sides: authors, readers, disseminators, content and modality.
弹词作为"女性文体"的特点表现在作者、接受者、传播者、内容、形式等五个方面。
2.
The voluminous Tan Ci <Fate of Next Life> is Chen Duansheng s composition.
陈端生的长篇弹词《再生缘》以浪漫主义的人物和情节 ,表达了女性渴望翻身的理想 ,向男权社会提出了大胆挑战。
3.
The paper elaborates the following four aspects: the textual criticism of Ci Hua、the research and criticism on edition of the history of Shi Duanjin Ci Hua through the successive dynasties and the relationship between the history of Shi Duanjin Ci Hua through the successive dynasties and Tan Ci、conclusion.
本论文所论述的内容主要包括四个部分：词话考略、《历代史略十段锦词话》版本考证、《历代史略十段锦词话》版本与弹词的关系、结语。
3) tanci
弹词
1.
Female Consciousness in Tanci Created by Women in the Ming and the Qing Dynasties;
明清女性弹词中的女性意识
2.
A Brief Analysis on the Documentary of Tanci since the 20th Century
二十世纪以来弹词研究文献简析
4) lexical field
词场
1.
The article analyses the lexical field of“irrtümlich”on such strata as word, syntactic function and context.
借鉴特里尔及冯德里希的纵聚合式词场定义 ,将讨论的范围基本上局限在一个语法范畴内。
5) shuchang
书场
1.
With the prosperity and the specialty of the shuchang, shuchangtanci gradually inclines the performance on stage, which bring on the dwindle of the text literature.
清代书场弹词的特征、风格的形成及其最后衰落的命运都与其特定的表演方式、表演场所及生存环境有密切关系。
6) written words
书面词语
1.
Comprehension of written words by deaf students and written words teaching in schools for the deaf;
聋校学生的书面词语理解与教学
补充资料：弹词
| 弹词 中国明清两代流行的曲种。有人认为源于宋代的陶真和元明两代的词话，待考。弹词在嘉靖、万历时已在南北各地演唱，戏曲家梁辰鱼有《江东二十一史弹词》。但明人对弹词与词话并没有厘定明确的界限，词话乃元明之旧称，凡说唱话本通谓之词话，如杨慎之《历代史略十段锦词话》，即通行本《二十一史弹词》。弹词用琵琶伴奏。至清代乾隆时期，弹词主要流行于江浙一带，它吸收了吴歌曲调，柔语如珠，缠绵委婉，最宜借弦索慢捻浅唱，故苏州弹词、四明南词等一直流传至今。 |
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条