2) narrative of tension
张力叙事
1.
However,this narrative of tension made the natural and rich humanity stand out from the text,and it rewrote the traditional narrat.
然而,这种张力叙事不仅使自然丰富的人性得以从文本中浮现出来,也从文学史的角度重写了乡土小说的传统叙事机制。
3) narrative tension
叙事张力
1.
There are three important narrative tensions in Othello, which are constituted respectively by three binary oppositions:Othello and the Venetian,Desdemona and the patriarchal society, Bianca and the center of a mother country s narration.
在莎翁名剧《奥瑟罗》中 ,奥瑟罗和威尼斯人、苔斯狄蒙娜和父权社会、比恩卡和宗主国叙事中心这三组二元对立构成了三股叙事张力。
2.
In the light of this, narrative tension and its movement exists in most parts of Ai Wei\'s novels, such as the content, the way of narrative, even the whole style.
从这个意义上说,艾伟小说无论是在叙事内涵上,还是叙事技巧和整体风格上都存在着张力及其运动的因素,本文也旨在以张力理论为基础,探寻其小说叙事张力的实现及其丰富性。
4) extended narration
叙事扩张
1.
From the role in classic drama “Mudan Ting”,we can find the obvious narrative charaters expressed in the drama such as Chen Zuiliang,and the speeches of the writers,such as “Chun”,and the typical extended narration,then we can imagine the narrative outline of “Mudan Ting” and the principle narrative characteristics of Chinese dramas.
通过叙述语法这一角度梳理中国古典名剧《牡丹亭》,可以找出剧本在陈最良角色上表现出的显在叙事特征 ,发现“春”等作者的话语 ,以及典故的叙事扩张现象 ,从而勾勒出《牡丹亭》的叙事轮廓和中国戏剧叙事的基本特
6) narrated subject
叙事主体
1.
From Irony to Identification——From Perplexity to Detachment——An analysis of the mutual struggle and combination between the narrator and narrated subject in Qi Wang ;
《棋王》中叙述者与叙事主体的相互较量与融合
补充资料：乔主张
1.不经当事人同意而强作主。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条