1) comedic images
喜剧形象
1.
It mainly incarnates the application of the comedic language to create the comedic circumstances,work out comedic conflict in which the comedic characteristics are depicted,the comedic images are portrayed;therefore, the perfect unity is gained.
它主要体现在运用喜剧性很强的语言去创造喜剧情境、设置喜剧冲突 ,在喜剧冲突中刻画喜剧性格、塑造喜剧形象上 ,做到了三者的完美统一。
2) comic mode
喜剧形式
1.
Starting from The Pyramid, through Darkness Visible and The Paper Men, to the Sea Trilogy, Golding moves continuously towards a comic expression, adopting the comic mode varying in form and meaning.
本文即尝试研究戈尔丁后期小说的喜剧模式,对每一部小说中的喜剧形式结合其主题加以定义和分析,以期全面深入地理解作家的思想和艺术。
3) tragic image
悲剧形象
1.
Fan Yi to Me——An analysis of the tragic image of Fan Yi;
我眼中的蘩漪——析蘩漪的悲剧形象
2.
A tragic image of the successor of Kongming s enterprise——discuss the portrayal of the artistic figure“Jiangwei”;
孔明事业继承人的悲剧形象——论姜维艺术形象的塑造
3.
In this essay,the author analyzs three types of loss love in tragic image of Wang Zhaojun.
本文对王昭君的悲剧形象中的三种情殇进行了剖析。
4) tragic figure
悲剧形象
1.
In the novel Silent Don, Sholokhov created the image of Panteily, a typical multi faced complicated tragic figure like a three dimensional work of sculpture.
肖洛霍夫在《静静的顿河》中 ,通过立体雕像 ,刻画了潘苔莱这一典型的悲剧形象的多面性与复杂性。
5) tragic images
悲剧形象
1.
The paper makes Baochai and Daiyu as tragic images, and puts them into the feudal society s culture background.
本文以钗黛悲剧形象为主要论述对象 ,并把其置入封建制社会这样的大文化背景中 ,悲剧的时代、悲剧的制度决定了人物悲剧的必然 ,并通过她们的独特的个性存在 ,论证钗、黛缺一不可 ,作者从两个层次上为我们展示了钗、黛悲剧的美学意义。
补充资料：悲喜剧
戏剧类别之一，兼有悲剧和喜剧的因素。一般具有圆满的结局。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条