1) visual angle of leading character in a novel
主人公视角
5) perspectivism
视角主义
1.
As the most important philosopher from the Budapest School,Agnes Heller dissolves modern concept of Art with a capitalized A based on the approach of postmodern perspectivism,and thereby re-defines the border of artistic existence.
赫勒在后现代视角主义哲学基础上消解了现代大写的艺术概念,重新确定了艺术存在的边界,并对后现代艺术现象持以同情的理解,彰显出后马克思主义的美学范式。
2.
This essay reflects on postmodern arts and recognizes their values on the basis of postmodern perspectivism including five aspects as follows: the de-totalizing of the concept of history,of the concept of truth,of forms,of life,and of arts.
在后现代视角主义基础上反思后现代艺术现象并肯定了其独特价值,主要涉及五个方面:历史概念的去总体化,真理概念的去总体化,生活形式的去总体化,艺术的去总体化以及当代艺术博物馆排列的后现代转向。
3.
By means of perspectivism, keeping human life as the ultimate aim, not undermining the legitimate science being the prerequisite, Nietzsche exposed and criticized positivistic science ruthlessly.
尼采以视角主义为杠杆 ,以人类生命为目的 ,以不贬损正当的科学理性为前提 ,对实证主义科学进行了无情的揭露和批判 ,从而开启了现代西方哲学史上反科学主义的思潮。
6) emic perspective
主位视角
补充资料：主人公
1.对主人(与"客人"相对)的尊称。 2.主人。 3.文艺作品中的主角，即作品中作者集中刻划的主要人物。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条