1) Figaro
费加罗
1.
Among many characters in opera, the artistic value and artistic characteristics reflected by the portraying of Figaro is especially attractive and intriguing, his witty, humorous, life-loving, freedom-loving are familiar with and liked by the majority of spectators.
在众多歌剧人物形象中,费加罗形象的塑造所体现出来的艺术价值和艺术特点格外引人注目和耐人寻味,其机智、诙谐、热爱生活、热爱自由的性格特征,为广大的歌剧观众所熟悉和喜爱。
2.
Opera at 400 years of history created by the process,created by the same playwright\' s "companion piece drama",and separately by a different composer and co-creation of the oceans to become opera classic,I am afraid that only French playwright Beaumarchais\' s Figaro trilogy of "Barber of Seville" and "The Marriage of Figaro.
在歌剧创作的四百多年历史进程中,由同一剧作家所创作的“姊妹篇戏剧”,又由不同的作曲家分别创作而共同成为歌剧瀚海中的经典之作,恐怕也只有法国剧作家博马舍的费加罗三部曲之《塞维利亚理发师》和《费加罗的婚礼》。
2) Almaviva,Maipo
费加罗之恋
3) Le Nozze di Figaro
费加罗的婚礼
1.
Mozart and His Opera Le Nozze di Figaro;
莫扎特与歌剧《费加罗的婚礼》
2.
The character Figaro in Mozart s opera Le Nozze di Figaro by is the outstanding model among so much Figaro charact.
费加罗作为多部歌剧作品中的主要人物,作曲家们都为这个角色创作了许多至今仍传唱不衰的经典唱段,莫扎特的歌剧《费加罗的婚礼》所塑造的费加罗形象就是众多歌剧作品中的杰出典范。
4) The Marriage of Figaro
《费加罗的婚姻》
1.
The Marriage of Figaro is regarded as the bet model of the ensemble of Mozart\'s operas, so the research will be carried out from this opera.
音乐分析的对象主要是《费加罗的婚姻》,这部戏被音乐学界公认为莫扎特歌剧重唱写作最优秀的“范例”所以本文涉及歌剧重唱文本研究研究的部分主要是基于这部作品展开的。
5) Longfellow
朗费罗
1.
Longfellow:A Darling of the 19th Century and a Foundling of the 20th;
朗费罗:19世纪美国的宠儿,20世纪美国的弃子
2.
On Longfellow s Sonnet to He Forgotten;
行将遗忘的绝唱——朗费罗的商籁体诗歌解读
6) Fenollosa
费诺罗萨
1.
Re-explication of Ernest Fenollosa s Chinese Written Characters as a Medium for Poetry;
重释欧内斯特·费诺罗萨的《汉字作为诗媒》
补充资料：费加罗的婚姻
剧本。法国博马舍作于1778年。阿尔马维华伯爵的仆人费加罗将与侍女苏珊娜结婚。伯爵企图诱骗苏珊娜以施行初夜权。费加罗设下种种圈套捉弄伯爵。最后伯爵夫人与苏珊娜互换服装约伯爵于夜晚在花园幽会，伯爵向假苏珊娜大献殷勤，突然灯光齐明，伯爵被迫向夫人下跪求饶。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条