1) Meng Zhai Bi Tan
《蒙斋笔谈》
1.
Besides, it was confused with Meng Zhai Bi Tang written by Zheng Jingwang in the series of Bai Hai.
既有一、三卷本之别,又有《稗海》中署名为郑景望的《蒙斋笔谈》的混淆。
2) Rong Zhai Sui Bi
《容斋随笔》
1.
The Study of Thought and Academic of Rong Zhai Sui Bi;
《容斋随笔》思想、学术综论
2.
On Piction in the Book of Rong Zhai Sui Bi
论《容斋随笔》中的炼字
3) Miscellaneous Notes from the Tolerant Studio
容斋随笔
4) written discussion
笔谈
1.
Also some of post-graduates inShanghai University who are majoring the Contemporary Chinese Literature,are having a written discussion,under theguidance of Professor Wang Hong-sheng.
上海大学现当代文学专业的部分研究生,在导师王鸿生教授的主持下,通过认真的阅读和讨论,撰文就贾氏的这一新作进行了笔谈。
6) Liuyan-Zhai Biji (Notes from Liuyan Studio)
《六研斋笔记》
1.
Unlike Dong Qichang, Li Rihua did not make such clear statements encapsulating his views on art history, but from his works on the appreciation and evaluation of calligraphy and painting, such as Weishui-Xian Riji (Diary of the Water Taster s Studio) and Liuyan-Zhai Biji (Notes from Liuyan Studio), we still can discern a systematic view in his grasp and understanding.
明代书画家、收藏家李日华没有象董其昌那样用明晰的语句来概述他对绘画史的整体认识,但从李日华《味水轩日记》、《六研斋笔记》等著作对绘画作品的品鉴中,仍可看到他对绘画史有一个自成体系的把握和理解。
补充资料：《容斋随笔》
| 《容斋随笔》 中国宋代笔记体学术著述。作者洪迈（1123～1202），字景卢，别号野处。《容斋随笔》是作者近40年的读书笔记，计有《随笔》、《续笔》、《三笔》、《四笔》、《五笔》共74卷。内容兼论经史典故、诸子百家、诗文词语，但以关于史学者最为可采。历来被认为是一部有学术价值的著述 ，与沈括的《梦溪笔谈》、王应麟的《困学纪闻》并重于世 。有1978年上海古籍出版社排印本。
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