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1)  dramatic dangerous situation
戏剧危局
1.
This paper comments on the aesthetics phenomenon of Sartre s conceptual drama which are back to the reality and involved in the life from the perspectives of the play s dramatic dangerous situation, dramatic suspense, tragedy disposition and the concept of dramatic time and space.
通过对《肮脏的手》的戏剧危局与戏剧悬念、悲剧性格与戏剧时空等方面的分析,评述了萨特观念戏剧回归现实、介入生活的美学倾向以及观念戏剧与现实主义相结合的艺术特性。
2)  dramatic crisis
戏剧危机
1.
For the sake of making drama off the dramatic crisis beginning from 1980s, Xing-jian Gao engaged in omnibearing exploration from theory to practice .
为使戏剧脱出始于上世纪80年代的戏剧危机,高行健进行了从理论到实践的全方位探索。
2.
The debate on the "concept of drama" in the New Period was carried out in the context of dramatic crisis.
论争关于"中国话剧发展路向"问题的思考,带来了新时期话剧现实主义的拓展、"探索戏剧"的探索和新的演剧体系的崛起;而论争关于"假定性"是"戏剧的本质"的阐释,则一方面对新时期戏剧的形式探索产生了重要影响,促进了戏剧艺术的实验与创新,但另一方面,因为忽视了戏剧危机产生的最重要原因——戏剧创作的"假、干、浅",而对戏剧与现实、戏剧的人学定位、戏剧的现代意识与启蒙理性等问题注重不够,导致剧坛形式革新的泛滥,这又给新时期及90年代的戏剧发展留下了重"手法"轻"精神"的严重隐患。
3)  the pattern of Chinese drama
中国戏剧格局
4)  drama [英]['drɑ:mə]  [美]['drɑmə]
戏剧
1.
Plot Recomposing and Image Reshaping——On the Function of the Theatrical Cultural Conversion in the Process of revising a Novel into a Drama;
情节重组和形象重塑——论戏剧接受小说过程中的文化转换功能
2.
Relationship between dramas and movies from the classic movie theory;
从经典电影理论看戏剧与电影的关系
3.
The Influence of the Fictitious existence in Drama to the Movie and Animation;
试论戏剧的虚拟性对影视动画创作的影响
5)  play [英][pleɪ]  [美][ple]
戏剧
1.
On the Characteristic and Influence of Russian Play Design;
俄罗斯戏剧舞台美术设计的特点以及对中国影响
2.
The development of Zhaojun s image in the history of play and its enlightenment;
戏剧史上昭君形象的演变及启示
6)  opera [英]['ɔprə]  [美]['ɑprə]
戏剧
1.
Developing Guilin tourism program of acrobatics and opera;
桂林地方曲艺、戏剧旅游资源的开发思考
2.
The rapid development of movies and television networks as new media has made powerful impact on world dramas,particularly the traditional Chinese operas.
作为新传媒的电影和电视网络的迅速发展,在世界范围内造成了对舞台戏剧特别是中国传统戏曲的强大冲击。
3.
Animal totems take the main position in early exorcism ceremony,along with the evolvement of this ceremony,the Nuo ceremony transform to Nuo opera.
云南双柏小麦地冲彝族以虎为图腾,其虎傩也经历了由图腾祭祀到戏剧雏形的转变,现今虎舞中的请神、酬神、送神保留了虎傩的文化痕迹,而表演性的生产舞蹈则属于戏剧的雏形,展现的是人性的娱乐需求。
补充资料:危局
1.危险的局势。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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