1) Elaboration of XIE Shi-chen Drawing
谢时臣绘画考述
2) Xie Shichen
谢时臣(1488～?)
3) painting of the great character portrait
功臣画像绘制
4) archaeology of painting
绘画考古学
1.
Based on le visible and I enoncable for elaborating and analyzing Foucault s thought, this article probe into Foucault s the archaeology of painting thesis on "reappearance", by means of describing and studying such relationships; and tries to establish the archeology task on painting knowledge which was brought up but uncompleted by Foucault.
本文以可视与可述作为福柯思想阐释与分析的角度,通过对两者关系的描述和研究,进而探究福柯关于“再现”的绘画考古学命题,试图实现福柯提出但并未实施的关于绘画的考古学任务。
5) the neoperiod painting
新时期绘画
1.
Take account of the neoperiod painting of China, the painters were fond of using "irony", which is worth researching.
中国新时期绘画,画家在创作中非常热衷于反讽手段的运用,这是值得研究的艺术现象。
6) A SURVEY OF XIE ZHAOZHE WRITINGS
谢肇淛著述考
补充资料：谢时臣
| 谢时臣（1488～？） 中国明代画家。字思忠，号樗仙。吴（今江苏苏州）人。工书法，长于隶书。擅山水，师法吴镇、沈周，稍作变化，作品多构为长卷巨幛，以善画水著称，江河湖海，无不精好。又作 山峦重叠，高耸险峻，笔墨或细密苍劲，或劲健沉郁，或纵横纷披，富有变化。有《溪山揽胜图》、《策杖寻幽图》、《武当霁雪图》、《谪仙玩月图》等传世。 |
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参考词条