1) Symbol and Cultural Memory

象征与文化记忆
2) cultural memory

文化记忆
1.
A considerable part of a nation s cultural memory is from the depiction of the nation s story.
一个民族的文化记忆,相当一部分来自于该民族的故事叙述。
2.
According to the theory of cultural memory raised by the German scholar Jan Assmann, ritual and text are two main mediums of cultural memory.
根据德国学者阿斯曼的文化记忆理论,仪式与文本是承载文化记忆的两大媒体。
3.
And it also retains African American political commitment(based on a modernist ideology) to the crucial importance of deep cultural memory,of keeping the past alive in order to construct a better future.
它一方面表现出后现代主义者对官方历史叙事的怀疑,另一方面又深信美国黑人保留深层文化记忆的重要性,而后者则是一个现代主义者的政治抱负。
4) Symbolic culture

象征文化
1.
The research of symbolic culture of the traditional unique local houses in Jingchu areas;

荆楚地区传统民居的象征文化初探
2.
The hakka earth building complex, which has prolific symbolic culture, has been the distinguished one in the art of architectural world.
客家土楼以其鲜明的风格成为世界建筑艺术的一朵奇葩,其中蕴含着丰富的象征文化。
5) cultural symbol

文化象征
1.
This article,taking the classicalest Bixing(比兴) images-peony in Huar as an example,expounds that Huar s Bixing images have not only formal significance but special connotation of historical culture and deepgoing significance of cultural symbol.
本文以"花儿"中最经典的比兴意象——"牡丹"为例,说明"花儿"的比兴意象不只是具有形式上的意义,更有特殊的历史文化内涵,具有深刻的文化象征意义。
2.
It has a long history and a profound significance of the cultural symbol and the social symbol.
流传于贵州省石阡县仡佬族的“敬雀节”是一个集人与自然、社会为一体的传统节日,历史悠久,具有深刻的文化象征与社会象征意义。
3.
Borges\' main influence embodied in three aspect: narrative revolution,language experiment and cultural symbol.
博尔赫斯对中国先锋派作家的影响主要体现在叙事革命、语言实验、文化象征三方面。
6) national culture memory

民族文化记忆
1.
In the context of globalization,it is inevitable for national culture memory to rebound.

在全球化的语境中,民族文化记忆的本土反弹是其必然趋势。
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