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1)  reading book
读本小说
1.
The greatest result of this influence is the creation of a new-style novel mode, the reading book,and then gave rise to the progress and perosperity of the Japanese literature.
此期日本文坛掀起一股“水浒”热潮,先后有诸多翻案《水浒传》的作品大量涌现,其中尤以山东京传的《忠臣水浒传》、曲亭马琴的《南总里见八犬传》为杰出代表,标志着“读本小说”的创作在江户后期已发展到了顶峰阶段,并基本完成了日本古代小说的前近代化,为日本古代小说向近代小说的发展奠定了过渡的基础。
2)  TV(movie)-novel text
影视小说读本
1.
Reversing the traditional production of movies or TV series from ready-made novels,the new form helps to turn out a combined TV(movie)-novel text which changes people s traditional way of novel reading and completes the aesthetic transmutation in an"era of pictures.
这种文学现象打破传统由小说到影视的改编过程,而是将二者倒置,产生了图文并茂的“影视小说读本”,从而改变了人们的传统阅读习惯,反映了影像时期小说的审美嬗变。
3)  devour a novel.
贪婪地读一本小说
4)  novel interpretation
小说解读
5)  novel reading
小说阅读
1.
This paper, based on the theories of cognitive learning and constructivism as well as the theories on how to teach reading, seeks to verify the necessity and feasibility of practising English novel reading in senior high schools and explore some effective teaching principles and strategies for the English reading class.
许多教师也觉得在高中阶段开展英语小说阅读的教学,时间和精力的投入与收获不成正比。
2.
As a result, novel reading which accounts for a large proportion drew people’s eyeballs, and became extremely important.
其中占重要分量的小说阅读跃居到备受关注的地位,成为阅读教学中一个重中之重。
3.
Novel reading is a significant means of improving the ability of comprehensive understanding,perception and application.
小说阅读是英语专业学生提高语言感知、综合理解和应用能力的必要途径,也是传统课堂外语教学的必要延伸和补充。
6)  fiction reader
小说读者
1.
The fiction readers in Tang Dynasty were mature groups in reading and accepting .
唐代的小说读者是成熟的阅读和接受群体 ,他们与创作群体有着同样的小说观念和审美需求 ,他们不以史传的“实录”原则苛求作者 ,能理性地理解小说的虚构 ,常态地看待“奇事”“异事” ,并常常表现出参与创作的巨大热情 ,对小说的创作提出指导性意见 ,有时则直接进行再创作 ,为唐代小说的创作和传播作出了贡献。
补充资料:读本
课本(多指语文或文学课本)。
说明:补充资料仅用于学习参考,请勿用于其它任何用途。
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