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1)  Guyi said
古意说
2)  quoth [英][kwəʊθ]  [美][kwoθ]
〈古〉说
3)  Classical Taste
古意
4)  ancient novel
古代小说
1.
Both Chinese ancient novel and drama are characterized by common esthetics in the way of being comprehensive,civilized and popular.
中国古代小说和戏曲具有综合性、教化性、愉悦性、通俗性等共同的审美特征,而古代戏曲还有直观性、程式化、节奏性、抒情性等独有的审美特征。
2.
The character images in Chinese ancient novels and dramas has experienced the developing process that starts from nonexistence to existence,from simplicity to complexity,from the characteristics of type to the typification.
中国古代小说和戏曲中的人物形象都经过了从无到有,从简单到复杂,从类型化到典型化、复杂化的发展过程。
3.
Although the physiognomist images exist in many of ancient novels,they have seldom caused the researcher s concern in the past.
相士形象虽然在古代小说中大量存在,但以往很少引起研究者的关注。
5)  Classical novel
古典小说
1.
On the writing technique of turning direct narration into indirect narration used in classical novels;
论化实为虚笔法在古典小说中的运用
2.
Strict textual criticism Lenient textual criticism——A concise study on Hu Shih s criticism about Chinese classical novels;
严谨的考证 宽容的考证——浅谈胡适的中国古典小说批评观
3.
Adaptation practice of China s four major classical novels shows personage image of classical original work can be adapted, but can not be irreplaceabl
中国四大古典小说的改编实践表明,经典原著中的人物形象实可以改编而不可替代。
6)  classical fiction
古典小说
1.
On introduction of rhymed verses into the creation of Chinese classical fictions;
试论中国古典小说创作的诗词羼入
2.
Folk beliefs and motifs pervade Chinese classical fiction.
中国古典小说中充满了民间信仰和母题,民间信仰与母题的关系为:民间信仰为母题的内核,母题为民间信仰的表现形式。
3.
From the angle of cultural poetics,the article discusses the Chinese classical fiction s cultural meaning about its aesthetical tendency of strangeness,analyses some primary reasons for this tendency of strangeness and its influence on the traditional folk cultures.
从文化诗学的视角探究中国古典小说"崇奇"审美情趣的文化意蕴,可以看到,中国古典小说在两个方面实施自身的文化突围,一是在创作技法上"以奇抗正",二是在审美功能上以"娱乐消遣"对抗"言志载道"。
补充资料:古意
【诗文】:
十五好诗书,二十弹冠仕。
楚王赐颜色,出入章华里。
作赋凌屈原,读书夸左史。
数从明月宴,或侍朝云祀。
登山摘紫芝,泛江采绿芷。
歌舞未终曲,风尘暗天起。
吴师破九龙,秦兵割千里。
狐兔穴宗庙,霜露沾朝市。
璧入邯郸宫,剑去襄城水。
未获殉陵墓,独生良足耻。
悯悯思旧都,恻恻怀君子。
白发窥明镜,忧伤没余齿。


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