1) Silent music
无声之乐
1.
The thesis includes seven parts: theoretical basis of Ji Kang’s thinking on aesthetics of music; the philosophical basis of his thinking; appraisal of Ji Kang’s personality; whether or not to promote“Silent music”and“the Voice of Zheng”; the interpretation of tone and sound; whether the thesis belongs to“self-discipline”or not.
本文将以嵇康《声无哀乐论》作为研究基点，从嵇康音乐美学思想的理论依据，哲基础，嵇康人格的评价，《声无哀乐论》是否提倡“无声之乐”，是否肯定“郑声”，康对“音”、“声”的解释，及《声无哀乐论》到底属于“自律论”、“他律论”、还是和律论”七个方面详细介绍学术界对《声无哀乐论》学术研究的概况，并对学术观点行归纳总结，由此阐述笔者之拙见。
2) music with no sound
无乐之乐
1.
He believes music with no sound is the best, and this is his real pursuit.
他去掉琴的弦、徵,手抚素琴,独与宇宙精神相往来,追求的正是“乐之至”的“无乐之乐”。
3) the music with sound
有声之乐
1.
There are three hierarchies of mentality— — " the music with sound"," the music without sound"," the music of nature" when somebody enjoys music.
审美主体伴随着质态不尽相同的音乐过程,依次连缀形成“有声之乐”、“无怠之声”和“天乐”这三个层面的心理过程流时,这样的音乐才是老子所谓的“大音”,才是道家学派理想中的音乐。
5) Sounds Having Nothing to Do with Grief or Pleasure
声无哀乐
1.
On the Formation of Sounds Having Nothing to Do with Grief or Pleasure Written by Ji Kang;
论嵇康《声无哀乐论》之形成原因
6) the music with relaxing
无怠之声
补充资料：无声
1.没有声音。 2.吞声;不说话。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条