1) Performance-nationalization
演剧民族化
1.
The Contribution of Jiao Juyin to the Performance-nationalization of Beijing People's Art Theatre
论焦菊隐对北京人艺演剧民族化的贡献
2) nationalized opern
歌剧民族化
3) drama nationalization
话剧民族化
1.
The history of the development of Chinese drama in the sense that is also the history of drama nationalization.
话剧这个相对于中国传统戏曲来说的“他者”,为了适应中国广大观众的需求,便不能不探索着走一条“民族化”的道路,“话剧民族化”的口号虽然在50年代才明确提出,并就此展开了大讨论,但话剧自传入之日起便已潜移默化在沿着这个方向发展。
4) the folk play
民间演剧
1.
The relation between Jiao Fang and the folk playin the Song Dynasty mainly show the below several aspects:first,the folk actor went to the palace to perform.
宋代教坊与民间演剧的关系主要表现为以下几个方面:第一,民间伎艺人承应内廷演出。
5) national opera
民族歌剧
1.
It is nearly a century since national opera began life in China.
中国民族歌剧形成至今,历时近一个世纪,基本上是沿着两条路子向前发展的,即民族化的创作道路和大量借鉴西洋的创作道路,这两条道路在发展过程中存在着明显的不均衡性。
2.
Through studying the singing characteristics of the four arias in the opera of Prairie Fire and Spring Breeze in the Ancient Town, the paper widens up the domain and enriches the means of studies on national opera of China.
论文希望通过对歌剧《野火春风斗古城》四个唱段演唱特征的研究,拓宽对中国民族歌剧演唱研究的领域,丰富对中国民族歌剧研究的手段,为当代中国民族歌剧的演唱研究提出些许拙见。
3.
The national opera jiangjie has been onto the stage and screen five times from the creation to the present.
民族歌剧《江姐》从创作至今已先后五次被搬上舞台与荧屏。
补充资料：演剧
1.演戏。 2.演出的剧目。
说明：补充资料仅用于学习参考，请勿用于其它任何用途。
参考词条