1.
Viewing the Aesthetic Generality of Folk Arts through the Craftwork of "Wallet";
从“荷包”工艺看民间美术的审美共性
2.
Assessment of Aesthetic Characteristic in Chinese Folk Art;
论中国民间美术意象结构的审美特征
3.
Talking about the funny aesthetic conceptions in folk fine arts of the YellowRiver Basin;
论黄河流域民间美术中的滑稽审美观
4.
Well Giving the Course of the Fine Folk Arts and Inheriting the Good National Traditional Culture so as to Carry Forward the National Spirit
开好“民间美术”课程 继承民族优秀文化
5.
The Influence of Chinese Folk Art on Modern Art Design;
中国民间美术对现代艺术设计的影响
6.
3. The follower of western art-adoring western art, feeling indifferent of art of the third world, national art and popular art.
3、西方美术的信徒——崇拜西方美术，淡漠第三世界美术、民族美术和民间美术。
7.
Thoughts on Folk Art Ornamental Lesson of Higher Vocational Art Specialty;
关于高职美术专业民间美术赏析课教学的思考
8.
Discussion on the Position and Function of Chinese Folk Art in University s Fine Arts Education;
中国民间美术在高校美术教育中的地位和作用
9.
Folk art and regional curricula for the education of fine arts;
浅谈民间美术与美术教育资源地方课程开发
10.
The Application of the Zhongyuan Art in the Graphic Design;
谈中原民间美术在平面设计中的应用
11.
Enlightenment on Modern Design Embodied Chinese Traditional Folk Art;
中国传统民间美术对现代设计的启示
12.
Discuss the Content and Form of Fruit Pattern in Nongovernmental Fine Arts;
论民间美术中瓜果图案的形式与内涵
13.
To Know Present by the Past Experience -- Discussion of the folk arts color s charm in our country;
鉴古知今——谈我国民间美术色彩的魅力
14.
On Regional Crisis and the Present Outlet of Folk arts;
论地域性危机与民间美术的当代出路
15.
Functions and Cultural Meanings of Colors in Chinese Folk Arts;
民间美术色彩的表现功能与文化意义
16.
A Preliminary Study on the Application Model of Folk Art College Course;
庆阳民间美术校本课程实践模式探索
17.
The Preservation of Guizhou Folk Fine Arts in the New Time;
新形势下贵州民间美术的保护与发展
18.
The Decaying and Changing of Bai Ma Culture in Longnan District
陇南白马民间美术文化的衰落与蜕变