1.
About the Origin, Feature and Position of Puxian Opera Fu Tiandou;
论莆仙戏《傅天斗》的源流、特色与地位
2.
A Study on the Relationship between the Gong and Drum Spot and the Performance in Puxian Opera;
莆仙戏音乐中锣鼓点与戏曲表演关系之探究
3.
The Valuable Inheritance of the Southern Opera in the Song and Yuan Dynasties: A Textual Research on Wang Kui,Liu Xi,Chen Guangrui of Puxian Opera;
宋元南戏的珍贵遗存——莆仙戏《王魁》、《刘锡》、《陈光蕊》考述
4.
Commenting on the Drama Story in Broadcasting Program--Analysis of Puxian Opera “Yeliniang”;
论广播文艺节目中的“戏曲故事”——以创作莆仙戏《叶李娘》故事为例
5.
A Study of the Dialect Characters in Ancient Dramas of Puxian Opera;
莆仙戏古剧本俗字研究——以古本《目连救母》《吊丧》为例
6.
A Changing History of the Prenasals of Puxian Dialect;
莆仙话可见的鼻冠塞音及其历史演变
7.
An Analysis on the Phenomenon of the Confusion in Puxian Dialect About Shanshe, Dangshe, Zhenshe, Tongshe in Guangyun;
莆仙话中“山、宕、臻、通”古韵混读现象试析
8.
Study on Fraud Crime of Xianyou County
诈骗犯罪探究——以莆田仙游县为例
9.
A Survey of Families Language Teaching and School Mandarin Promotion in Putian & Xianyou;
莆仙家庭语言教育与学校普通话推广现状调查
10.
Cooperative Development and Resources Sharing:Thoughts on the Work Pattern of Pu-xian s Digitalized Local Literature;
莆仙地方文献数字化共建共享的实践与思考
11.
On the Differences in the Evaluations of the Test of Levels in Chinese Common Speech in Putian District;
莆仙地区普通话水平测试评分差异分析
12.
The Structural Auxiliary in Putian and Xianyou Dialect Corresponding to De(得)in Chinese Putonghua;
莆仙方言与普通话“得”相对应的结构助词
13.
The Analyses and Countermeasures to Puxianese Different Classes of Standard Chinese Phonetics Features;
对莆仙人普通话语音面貌的剖析及纠音对策
14.
The Questing of Life Ideas In Ma ZhiYuan s 4 Immortal Dramas;
马致远神仙道化戏对生活理念的追问
15.
The Original of Two of [y-] Finals in Puxian Dialect;
闽语莆仙话两类撮口呼韵母的来源——兼论原始闽语构拟中的一些问题
16.
The Evolution of Han Xiang s Immortal Stories and Its Development in Drama and Novel in YuanMingQing Dynasties;
韩湘仙事演变及其在元明清戏曲小说中的拓展
17.
In the current staging, the theater has specially integrated the hand-sketched sets during the indoor staging period and the innovative stage for staging the new repertoire of “The Wrestling Deities Jab the Monkey King”.
此次企划特别以内台时期手绘布景与新制舞台作结合，演出新编戏码『仙拼仙拼死猴齐天』。
18.
Zhu Wuneng is punished to descend to the world of man because he had taken liberties with the Goddess of the Moon in Yaochi palace and he was reincarnated a pig wrongly.
猪悟能在瑶池会上调戏嫦娥仙子被贬下凡，错投猪胎