1.
Kuan Han-Ching and the Principal Style of Tian Han s Plays;
《关汉卿》与田汉体剧作的主体风格
2.
Motivations of Tian Han's Creation of Guan Hanqing
田汉创作《关汉卿》的潜在动因之我见
3.
Folk Forms and Aesthetic Values of Guan Hanqing’s Dramas--Based on 700 Years’ Research on Guan Hanqing
关汉卿戏曲的民间形态与美学价值——从七百年关汉卿研究史谈起
4.
The Study of Communication and Acceptance of Guan Han-qing s Dramas in Ming Dynasty;
试论关汉卿杂剧在明代的传播和接受
5.
Random Talk about Complicated Legal Cases--Taking Butterfly Dream by Guan Han-qing as an example;
公案戏杂谈——以关汉卿的《蝴蝶梦》为例
6.
On the Characteristics of Drama Creations Between Guanhanqing and Shakespeare;
论关汉卿与莎士比亚戏剧的创作特点
7.
The Complement with de in the Dialogues of Guan Hanqing s Eight Kinds of Zaju;
关汉卿八种杂剧对白中带“得(的)”补语
8.
The Whores Images of What Guan Han-qing Writes and the Culture Meaning;
关汉卿笔下的妓女形象及其文化意蕴
9.
Review of Guan Hanqing and His "The Injustice Done to Tou E;
关汉卿及其《窦娥冤》杂剧的再评价
10.
People s Progressive View on Women in Yuan Dynasty as Shown in Guan Hanqing s Dramas;
从关汉卿的剧作看元人进步的妇女观
11.
Guan Hanqing Uncovered the Essentials of Money Being the Root of All Evils
关汉卿揭露“金钱是万恶之源”的思想
12.
On the Similarity of Comedy Art Between Guan Hanqing and Moliere
关汉卿、莫里哀喜剧艺术相似性探微
13.
That piece from the book is a quote from the famous play of Guan Hanqing, named "Dou E's Injustice".
文中的那段话引自关汉卿的名剧《窦娥冤》。
14.
Woman s Resistance in the Opera Creation of Guan Hanqing;
从女性反抗角度看关汉卿戏剧的独创性
15.
Ghost Awareness: On the Folk Cultural Roots in GUAN Han-qing′s Zaju Opera;
鬼魂意识:关汉卿杂剧的民俗文化底蕴窥析
16.
The Value of Dou E Yuan from Guan Hanqing s Culture Idea;
从关汉卿的文化思想看《窦娥冤》的价值取向
17.
The Intellectuals Image and Mentality in Guan Hanqin s Love Drama between Intellectual and Prostitutes;
关汉卿士妓之恋剧中的儒生形象及其心态
18.
Crashes and Mingling: Family Ethic Problems in GUAN Han-qing’s Plays;
碰撞与交融:关汉卿杂剧的家庭伦理问题