1.
View His Tragic Concept of Optimism from Historical Play by Guo Mo-ruo;
从郭沫若的历史剧观其乐观主义的悲剧观
2.
Guo Mo-ruo s Ideas about Historical Drama and its Aesthetic Charms;
郭沫若的史剧观及其历史剧的美学风貌
3.
On Guo moruo s History Drama Theory and Aestheticism;
郭沫若的史剧观与唯美——阐释学批评
4.
On China s Historical View in 1940s;
论20世纪40年代中国的历史剧观
5.
On the Concept of Hallucination and Theatricality In the History of Theatrical Performance;
戏剧演出史上的幻觉性与剧场性观念
6.
Historical Outlook and Historical Play -Thoughts on the opera the Birth of the Republic;
历史观与历史剧——《走向共和》引发的思考
7.
WANG Fu-zhi’s view on history and drama reflected in the zaju opera of Dragon Boat Competition;
从《龙舟会》杂剧看王夫之的历史观与戏剧观
8.
The Value of Drama Historical Data about Du Yinyuan s Watching Plays Diary;
试论《杜隐园观剧记》的戏曲史料价值
9.
The Historical Significance of Modern Ideological Transformation of Chinese Comedy;
论中国喜剧观念现代转型的历史意义
10.
Criticism of Cultural NotionOn Contemporary Historical Movies and TV Plays;
对当代历史题材影视剧的文化观批判
11.
Probe into the Vicissitude of the Outlook on Historical Literature From the Teleplay Series of"Playful Interpretation"History;
从戏说类电视历史剧看历史文学观念的变迁
12.
The Emergence and Evolution of the Views on Theatrical History in Chinese Classical Theory of Historical Plays;
中国古典史剧理论中“曲史观”的形成与演进
13.
The Perspective of Drama Being History: Core Notion of Literati Writing Chinese Ancient Historical Dramas;
曲史观:中国古典史剧文人创作的中心话语
14.
On the Character Images in Historical TV Plays and Their Reality;
论历史剧的人物形象与虚实问题——从电视剧《贞观长歌》谈开去
15.
On the Progressive Vision of Love and Male Chauvinism in Hong Sheng s Historical Plays;
洪升历史剧爱情观的进步性及男权色彩
16.
On Subjectivism in the Ideological History od Modern Chinese Comedy;
论中国现代喜剧思想史上的主观论取向
17.
Its repertoire includes historical plays, comedies, tragedies and farces.
京剧的曲目包括历史剧、喜剧、悲剧和笑剧。
18.
On the Establishment of Subjective Reality and Historical Cognition Narrative and Communication in Movie and TV Drama;
论主观真实的建立与影视剧历史认知意识的叙事和传播