1.
On Development of Syllables and Tunes of Ru Sheng;
论入声韵音节声调的演变——《入声论》之十三
2.
The Separation and Combination of Ancient Entering Tone inyinyunjicheng;
论《音韵集成》对中古入声韵的分并
3.
The Study of the Prosodic Features of Mandarin Tone-4 and Tone-5;
汉语去声和轻声音节的韵律特征研究
4.
Incomplete Pinyin codes refer to the Chinese character Pinyin input codes with omissions in syllable initials,finals or tones.
“不完全拼音码”指在声、韵、调等方面有所省略的拼音输入码。
5.
Further Study on the Raising and Fronting of Vowels-i、-y in Hefei Dialect;
合肥话“-i”、“-y”音节声韵母前化再探
6.
Acoustic Analysis of the Prosodic Features of the Disyllabic Words in Uyghur Language
维吾尔语双音节词韵律特征声学分析
7.
Acoustic analysis of prosodic features of trisyllabic words in Uyghur language
维吾尔语三音节词韵律特征声学分析
8.
The True Nature of Entering Tone as the Third Tone;
论《中州音韵》“入作三声”之实质
9.
Analysis of the Representing View of "No Entering Tone" in Central China Phonology;
《中原音韵》无入声说代表观点论析
10.
A Study of Rhyming in Poetry and Prose in the Liang Dynasty;
梁代诗文阳声韵入声韵用韵数理分析
11.
The fright in the voice stunned him.
她声音里惊恐的韵调，使他大为诧异。
12.
On the Nature of "Entering Tone Redistributed among the Other Three Tones" in The Initial, Final and Tone of a Character in Zhongyuan Chinese Speech;
《中原音韵》“入派三声”性质辨析──从“剧”字音说起
13.
The Final and Tone Traits of Chenzhou(郴州)Dialects in the Last Years of Ming(明)Dynasty in Zixue Yuanyuan(字学元元);
从《字学元元》俗音看明末郴州方音韵母声调特点
14.
The Sound Systems and Table of Ming Dynasty Manuscript Rhyme Tune in North Min
明闽北韵书手抄本《六音字典》音系性质及其声韵调配合表
15.
Each Chinese syllable is divided into two parts: onset and rime.
每个中文音节都由两部分组成：声母和韵母。
16.
A Research on the Entering Tone with [i] Glide in Southwest Mandarin of the Northern Hubei Province;
西南官话鄂北片入声韵带i介音现象探析
17.
NO ENTERING TONES EXIST IN ZHONGYUANYINYUN;
《中原音韵》无入声证——兼与金欣欣先生商榷
18.
Error Analysis of Tones and Correlations between Variables: Initials, Vowels and Tones-A Study Based on Corpus of Shanghai Dialect and Putonghua;
基于语料库的上海话—普通话中介音声调特征及声韵调关系研究