1.
Amendment to the Collating of the Story of Tang Sanzang Dispelling Adversity and the Story of a Journey to the West;
《唐三藏西游释厄传》《西游记传》校点商兑
2.
A Study on ZhuDingChen Version and YangZhiHe Version of Carved Version in JianYang;
建阳刻本—朱鼎臣《唐三藏西游释厄传》与杨致和《西游记传》的研究
3.
The Development and Evolution of Rescue and Ransom Theme from the Poetic Tale on Going Pilgrimage for Buddhist Scripture of Tang-Sanzang Master to the Journey to the West
《大唐三藏取经诗话》到《西游记》中救赎主题的发展与演变
4.
The Textual Research and Explanation on the Epigraph of A JapaneseStndent studying in Tang Dynasty Collected by theMuseum of Northwest University;
西北大学博物馆收藏唐代日本留学生墓志考释
5.
Tibetan Esotericism and "Journey to the West"--Continuing Discuss on "the Research of Completing Journey to the West" Written by Cai Tie-ying;
藏传密教与《西游记》——蔡铁鹰《〈西游记〉成书研究》续论
6.
Research on the Effect of Tibetan Traditional Sports over the Overall Recovery of Tibetan Tourism
藏族传统体育对西藏旅游全面恢复的作用研究
7.
Supplemental to the difficulty vulgar characters in Dunhuang MS fragment of Biography of Buzhi in History of the Three Kingdoms in Dunhuang Academy s collections;
敦煌研究院藏《三国志·步骘传》残卷疑难俗字补释
8.
Preface of Da Tang Three Zang Sheng Jiao and Prosperity of Buddhism of Tang Dynasty;
《大唐三藏圣教序》与唐代佛教的兴盛
9.
The south sea Guanyin(avalokitesvara)-God of Mercy-chooses four disciples to guard Tang Sanzang on the way to the Western Paradise for fetching Buddhist scriptures.
南海观士音为保护唐三藏西天取经，为他选了四个徒弟。
10.
Art of Tibetan Tangkas Interview with Tibetan Tangkar Painter Tanbaramdan;
西藏唐卡艺术——访著名藏族唐卡画家丹巴绕旦
11.
Comparison between Quotations of Shuowenjiezi in Jiangfu's Tangyun and Xuxuan's Shuowenjiezi
蒋藏本《唐韵》所引《说文》校大徐本例释
12.
According to historical records, the Lingyange locates on the sides of Sanqing Palace in Huangcheng inside the west of Chang-an Tang Dynasty.
据传世文放记载，凌烟阁位于唐代长安西内皇城三清殿侧面。
13.
a legendary old man collected a precious imperial carriage of the Tang dynasty.
一位传奇老人收藏有唐代的珍品銮舆。
14.
A Brilliant Flower of Tibetan Traditional Painting "Tang Ka"
藏族传统绘画艺术的奇葩——唐卡
15.
Research on the Style Tibetan Tangka Painting from 10th to 13th Century
公元10-13世纪藏传唐卡绘画风格研究
16.
Tang sanzang takes him as a disciple instead of punishing him.
唐三藏没有惩罚他而收他为徒。
17.
Sino-Tibetan Tangkas of the Chenghua and Zhengde Periods in Western Collections;
西方收藏明朝成化与正德时期汉藏风格的唐卡
18.
The Anthropological Explanation on " Tangka" Regarded as Artistic Style of Folk Religion of the Tibetans;
对藏族民间宗教艺术形式——“唐卡”的人类学阐释