1.
Judging from Dong Nationality songs to know the scemmary of Chinese national complen voice;
浅谈中国多声部民歌中的“侗族大歌”
2.
The Current Status,Protection and Prospect of Dong Nationality Multigart Folk Song;
侗族多声部民歌的现状及保护与发展
3.
The Unusual Position of the Dong Chorus in Chinese Polyphonic Folk Songs;
侗族大歌在中国多声部民歌中的独特地位
4.
The Significance of Studying Counterpoint Local Folk Music and the Basic Methods;
论开展地方多声部民歌研究的意义与基本方法
5.
The multiple-voice songs of the ethnic minorities are often associated with ritual, ceremonial or festival songs and dances,
少数民族地区的多声部民歌常常在一些祭祀礼仪、节日歌舞及民间歌会活动中传唱，
6.
Multiple-voice singing is mainly confined to the ethnic minorities of the south and southwest,
中国多声部民歌的分布，主要集中于西南和南方各少数民族聚居区，
7.
Other multiple-voice folksongs are haozi sung during the process of work in the northeastern forest regions,
另一部分多声部民歌则主要是在生产劳动中传唱的号子，
8.
It is no coincidence that it turns up again and again in multiple-voice folksongs, having been selected as the favorite interval in the performance of these songs for many centuries.
它频频出现十许多民族的多声部民歌中、并不是偶然为之，而是经过长期歌唱实践的自觉选择。
9.
China's multiple-voice folksongs fall into five categories:
中国多声部民歌的织体结构即声部的结合方式有多种形态，归纳纳起来，共有以下5种:
10.
It is the most obviously unique characteristic of Chinese multiple-voice folksongs.
它所独具的色彩，已成为中国多声部民歌的最鲜明的特征。
11.
Multi-tone folk song "Suimin", peculiarly sung by the Dark Cloth Zhuang in Nape County, Guangxi, is of profound musical style, primitive simplicity, and strong individuality.
广西那坡县黑衣壮特有的多声部民歌“虽敏”的音乐风格深沉、古朴，极具个性。
12.
Keyboard Harmony Application Analysis about North Shaanxi Folk Song Phonochemical;
陕北民歌多声部之键盘和声因素探寻
13.
Multiple-Voice Folksongs are songs sung by two or more singers, who render two or more parts.
多声部民间歌曲指一对或一组歌手同时唱出两个或两个以上声部的民歌，
14.
They are also called "two-voice folksongs"or "complex-tone folksongs".
有人称其为"二声部氏歌"、"复音民歌"。
15.
singing with three or more voice parts.
指三个或更多声部的歌唱。
16.
On the Plural Development of Chinese National Vocal Music from Original Ecological Folksongs;
从原生态民歌谈中国民族声乐艺术的多元发展
17.
The Theory of Branching and Multi-level--About the appearance and development of polyphony of Dong songs;
分岔·分层说——论侗歌多声部的产生与发展
18.
The Polyphony Technique in Mongolian Folk Multi-Voice Part Music
蒙古族民间多声部音乐中的复调技法