1.
BRIEF COMMENT ON BAI JUYI S ANTIWAR POETRY AND ARTICLE;
诗文双璧传千秋——白居易反战诗文简论
2.
The Literary Form of"Reading Poems Aloud"and the Poetic Interpretation--The Poetic Reflection of Reading Poems Aloud Movement in the Anti-Japanese War (No.2);
“朗诵诗”的文体形式及诗学阐释——抗战诗歌朗诵运动的诗学反思之二
3.
A BRIEF STUDY ON DU FU'S ANTI-WAR POEMS
诗圣诗史唱大风——杜甫的反战诗论略
4.
He wrote romantic poetry before the war and then, in the mid-twenties, turned savagely against humanity.
战前，他写浪漫诗；二十年代中期，他转而激烈反对古典文学。
5.
The Antipathic Trend and the Crisis to the Study of The Book of Songs in the Warring States Period;
战国反《诗》学思潮与《诗》学危急
6.
A Talk on Poems by Apkupvytvy,a Poet of Yi Nationality;
文化挑战、诗意建构与中国现代诗——彝族诗人阿库乌雾的诗歌
7.
Fight against war and strive for peace;
反对战争 争取和平——神秘派诗画诗人布莱克的诗歌简论
8.
On Tang Poets Introspection on War through Their Poetry about the Wars along the Border--The 5th of series study of border poetry in Tang Dynasty;
从唐代边塞诗看唐代诗人的战争反思——唐代边塞诗系列研究之五
9.
Different Versions of Poetry Translation and the Reader Response;
诗歌译文的文本差异与读者反应特征
10.
Dislocation of the Evaluation Criterion of Chinese Modern Poems --Cultural Rumination on the Legitimacy of Chinese Modern Poems;
错位的新诗评价标准——对新诗合法性的文化反思
11.
Charles Bernstein: Against the Idea of Poetry
查尔斯·伯恩斯坦:挑战诗的理念(英文)
12.
Textual research and rectification of the Waring States Chu Bamboo slip-confucius critique on The book of songs;
《战国楚竹书·孔子诗论·邦风》释文订补
13.
An Survey of the Exchanging and Blending of Cultures of the Han and the Non-Han Nationalities ── In the light of Poems Witten by Du Fu;
从杜诗看战争状态下胡汉文化的交汇
14.
Poet and Soldier--Lu Xun from the Perspective of Beijing School of Literature
“诗人”和“战士”——京派文学视野中的鲁迅
15.
The Poetic Appearance of War Wonders:“Beauty of War” in Jian an Literature;
战争奇观的诗化显现——论建安文学中的“战争美”
16.
On the Short Poems by Ke Zhong-ping During the Anti-Japanese War Period--Guerrilla Warfare in Literary and Artistic Creation
论柯仲平抗战时期的短诗创作——文艺上的游击战
17.
This paper deals mainly with the Australian counter-pastoral.
本文主要论述澳大利亚的反田园诗。
18.
Reflections Upon the Way of Modern Poetry Turning into Prose With the Goddess as an Example;
以《女神》为例反思新诗“散文化”之路