1.
On the Differences between the Film and the Novel of Lust,Caution
论《色戒》的电影文本与小说文本的差异
2.
Discussing the role relationships in the filmic text from conversational strategies;
从会话策略看电影文本中的角色关系
3.
Feminism Stand and Breakthrough in the Novel Text and Film Version of Lust·Caution;
《色·戒》小说和电影文本中女性意识的坚守与突*破
4.
Crazy Stones: A Postmodern Film Text of Chinese Characteristics;
“疯狂的石头”:一个中国式的后现代电影文本
5.
Photocopy: Duplicate of a document, etc. produced either by xerographic electrofax process.
影印本:用干影印或电传影印造成的文件副本。
6.
Medium,Narrative,Text :A Comparison between the Text of Films and the Text of Novels;
媒体·叙事·本体:电影、小说文本比较论
7.
Yan began screenwriting for Hollywood in English.
（严歌苓）始为荷李活电影写英文剧本。
8.
Text of movie and subconsciousness;
以电影为文本研究“潜意识”之可行性
9.
Game Through the Text: On “Meta-movie” The Story of SHANG Di;
穿越文本的游戏:评“元电影”《商第传》
10.
An Interpretation of Broadcast Design as an Video Text
电视包装:作为影像文本的传播透视
11.
A Conflict of Dominant Culture in Japan's Film Okuribito
日本电影《入殓师》中文化主体的博弈
12.
JAPANESE MOVIE TITLES IN THE AFFINITY OF CHARACTERS--On the Translation of Chinese Characters in Japanese Movie Titles;
中日文字因缘下的日本电影名——关于日本电影名中汉字词的翻译
13.
The New Angle to Reconstruct the Film Ontology;
文化资本:一种重构电影本体理论的新维度
14.
Self-identifying of "the Cultural Hero" --The Over-interpretation beyond the film "Hero";
“文化英雄”的自我指认——电影《英雄》的泛本文解读
15.
Probing into the Influence of the Extratextual Factors on English-Chinese Film Subtitling;
英汉电影字幕翻译文本外因素影响之探析
16.
The second part of my thesis, is a analysis of Zhang Ailing's screenplay.
本文的第二部分,是对张爱玲电影剧本本身做出的分析。
17.
This essay employs Thomas Schatz's genre theory to examine the Huangmei Opera film genre.
本篇文章是采用汤玛斯?兹的电影类型理论来检验黄梅调电影。
18.
“Model Peking Opera Movies”:Film Industry,Textual Politics and State Rituals of the Dedicators;
“样板戏电影”:电影工业、文本政治与献身者的国家仪式