1.
Acceptance and misunderstanding of the notion that beauty of poetry comes from emotion in history;
“诗缘情而绮靡”说的历代接受与误读
2.
The Poem Follows from the Affections and Is Sensuously Intricate--poem with emotion is beautiful analyze on poem s essence of Wen Fu;
“诗缘情而绮靡”——对《文赋》论诗本质的探析
3.
Discrimination of the Connotation of the Statement “Poem IS Gorgeous due to Its Sentiment,and Fu Is Vivid due to Its Description" from“Wenfu ”by LU Ji;
陆机《文赋》“诗缘情而绮靡,赋体物而浏亮”含义辨
4.
Review of researches on the theory that beauty of poems comes from emotion since 20th century;
对20世纪以来“诗缘情而绮靡”说研究的回顾与思考
5.
'Affection-oriented','Sensuous Intricateness' and Self-awareness of Poetic Character in Wei and Jin Dynasties
“言志”“缘情”“绮靡”与魏晋诗歌特性的自觉
6.
On Seeking for Beauty in the Poems of Western Jin Dynasty;
结藻清英 缘情绮靡——论西晋诗歌之唯美化追求
7.
Wonderful, Colorful and Beautiful: the Selection Standards of Guo Xiu Ji;
缘情绮靡 彩色婉丽——评《国秀集》的选诗标准
8.
Pursuit of Nobleness and Rejection of Vulgarity:On Wu Qiyuan;
求写高尚情,尽却淫啼习——近现代通俗作家吴绮缘简论
9.
The Attractive and Dispirited Style under the Fatalism and Nihilism--On the Creations Style of Annie s Treasure;
宿命论与虚无主义之下绮丽颓靡——论安妮宝贝的创作风格
10.
From Being Gentle,Kind,Honest and Sincere to Being Indignant and Pompous--Reconsidering Zhu Ziqing s Paraphrase of "Poetry is the Expression of Ambition";
从“温柔敦厚”到“发愤”、“绮靡”——对朱自清先生“诗言志”说的再思考
11.
Rigorous Taboos in Life and Ornate Spiritual Indulgence --on the state of mind in Li He s writing;
严苛的生活禁忌与绮靡的精神放纵——李贺创作心态论
12.
The cheap music turned elfin and lovely.
这靡靡之音忽而变得精灵可爱。
13.
Relationship between Style and Social Backgrounds of the Southern Dynasties Folk-Song-Styled-Verses;
论南朝乐府的绮艳诗风与世情之关系
14.
Feeling Comes from Scene,Scene is Beautiful Because of Feeling--Discussing About the Moods of Guide Words;
情缘景而生 景因情而美——论导游词的意境营造
15.
Reflect Women′s Status from The Rumance of Triste and Isult
《特里斯丹和绮瑟殉情记》女性的社会地位探析
16.
troops softened by luxurious living
因生活奢靡而战斗力被削弱的军队
17.
From Love to Leisure--The Historical Development and Meaning of Emotional Expression of Tong-Song Ci;
从绮思艳情到闲情逸趣——唐宋词抒情化的历史进程及其词史意义
18.
In the West, Woman appears in each spiritual sphere, such as Myth, Philosophy and Religion, it signifies that a civilization attaches dominating value to the sentimental field.
此外，西方神话中的活泼绮丽的爱情，则有利于西方人的情感教育。