1.
Harmony in Variation--Deconstruction of Petrarchan Sonnet by Donne s Poetry;
变奏中的和谐——论多恩诗对彼式诗的解构
2.
Petrarchan sonnet
彼特拉克体十四行诗
3.
Reecho of Ages Hullabaloo,Symbol of Modern Culture--To Unscramble Mandelstam s Perterberg-Pattern Poetic Structure from the View of Cultural Poetics;
时代喧嚣的回响,现代文化的象征——曼杰施塔姆“彼得堡式”诗结构文化诗学解读
4.
The explanation of “佌佌彼有屋” in The Books of Odes;
《诗经·小雅·正月》“佌佌彼有屋”新解
5.
Research of bi(彼) in Shijing(诗经) on the Grammatical and Pragmatic Function;
《诗经》中“彼”的语法语用功能考察
6.
The Other Side of A Fairy World --The Interpretation of Gu Cheng s Poems;
一个童话的彼岸——解读《顾城的诗》
7.
A group of eight lines of poetry, especially the first eight lines of a Petrarchan sonnet.
前八行诗诗歌中一组八行，尤指彼得拉克十四行诗中的前八行
8.
The Evolution of Sonnet--From Petrarch to Shakespeare;
十四行诗音韵的演变——从彼特拉克到莎士比亚
9.
The Man Is so Beautiful Without Limits --The Male Image in Shi Jing s Works of Marriage and Amativeness;
“彼其之子,美无度”——论《诗经》婚恋作品中的男性形象
10.
The vast milk way,the literary talent in the sky--A research in astronomy to natural appreciation of the beautiful in Shijing;
倬彼云汉,为章于天——《诗经》自然审美研究天文篇
11.
There or here The linguistic differences in both Yang Lian s and Yujian s poetry;
彼在与此在:杨炼和于坚的诗歌语言分析
12.
The Way of Comments on Shijing in the Ming and Qing Dynasties:Comparing It with Other Poetic Works;
以“诗”证《诗》:明清《诗经》评点方式
13.
of biological parents not married to each other.
由彼此没有正式结婚的父母所生的。
14.
A Critique on the Model of "One or the Other" in the Study of Comparative Literature;
比较文学研究中“非此即彼”模式的批判
15.
Bierges : A typical model of the New School movement in West Europe;
彼爱尔实:西欧“新学校”的一个典型模式
16.
Critique of Pure Form-Studies in Architectural Theories of Peter Eisenman
纯形式批评—彼得·埃森曼建筑理论研究
17.
Only a poet could put in words the deep affection which that couple seem to feel for each other.
只有诗人才能把那情人彼此的深情用文字表示出来。
18.
We who had sweet fellowship together Walked in the house of God in the throng.
诗55:14我们素常彼此谈论、以为甘甜．我们与群众在神的殿中同行。