1.
The Diagnoses and Recovery of Fatigue for Technique-oriented Items with Difficulty and Beauty;
技能主导类表现难美性项群疲劳的诊断与恢复
2.
Analyses and Comparision of the Competition RUles of Wushu and Other Events That Are Difficult to Perform Beautifully;
武术与技能类难美性项目竞赛规则的分析比较
3.
On the mode of "students mutual teaching" in the course of difficulty and beauty of performance;
“互教式”教学模式在表现难美性项目教学中的实验研究
4.
A study on cultivating ability of music appreciation for athletes of items accompanied with music;
技能主导类表现难美性项目运动员音乐欣赏能力培养的研究
5.
Analysis of The Difficulties of Scientific and Technological Aesthetics --the Nature and Object of Medicine Aesthetics;
科技美学疑难辨析——兼论医学美学的性质与对象
6.
The attack on Pearl Harbor was a crushing calamity.
偷袭珍珠港（对美军来说）是一场毁灭性的灾难。
7.
The attack on Pearl Harbor was a lor=# cc0066> crushing calamity.
偷袭珍珠港（美军来说）一场毁灭性的灾难。
8.
It is usually nonconstructive, inelegant, hard to generalize.
它通常是非构造性的，不优美的，难于一般化的。
9.
It is difficult to know whether or not Ms will be used by more American women in the future.
将来是否会有更多美国女性使用ms还很难知道。
10.
On modern civilization puzzles and the reasonability of Confucian morality;
现代文明难题与儒家美德合理性基础论证
11.
Developing Trend of Difficulty and Artistic Quality of Athletics Exercise;
竞技健美操难度动作与艺术性发展趋势研究
12.
The Torment of Uncertain Choice--A Discussion about Schiller s "Humanity Division" Theory;
两难抉择的苦恼——论席勒美学思想中的“人性分裂”
13.
A good name is earlier lost than won
失去美名易,得到美名难
14.
From the perspective of scientific aesthetic, scientific beauty bears the characteristics of individuality and changeability. Thus scientific beauty is also difficult.
从科学审美活动来看,科学美具有个体性和变易性,因此科学美也是难的。
15.
A lony way--Women s aesthetic transition viewed from the novels of contemporary urban women;
艰难的心路历程——当代城市女性小说的女性审美意识流变
16.
Effect of xianglian combined with esomeprazole for non-Helicobactor pylori related refractory peptic ulcer
香连联合埃索美拉唑治疗非幽门螺杆菌相关难治性消化性溃疡
17.
Kallos is Either Difficult or Indifficult--Zhuangzi "Tianlai" and Its Aesthetic Significance;
美难而不难对于美——庄子的“天籁”说及其美学意义
18.
As an aesthetic principle, judgment cannot come into existence or even work as a “bridge” between them.
故而,以判断力作为一种经典性的美学原理,难以成立,即使勉强充当“桥梁”,也难免露出裂痕。