1.
Probe into the Guahong of the Qiang People from Anthropological Religion;
宗教人类学视野下的羌族“挂红”习俗
2.
A Religious Anthropological Explanation of the Wizard "Fashen"(发神) of the Tus
土族法拉“发神”的宗教人类学解读
3.
“Potential Religious Dialogue” in Blessing: A Textual Interpretation from the Perspective of Religious Anthropology;
《祝福》中的“宗教潜对话”——一个宗教人类学的文本解读
4.
Study on the origin of Tibetan People with Religious Anthropology;
藏族关于自身族源之传说的宗教人类学阐释
5.
A Retrospect and Prostpect for 30-year Study of Religious Anthropology in China
三十年来中国宗教人类学研究的回顾与展望
6.
Is Confucianism a Religion or Not? --A Religious Anthropological Research on"Tang Ji San Xian Li"in the Miao Area
儒家乎?儒教乎?——苗疆“堂祭三献礼”的宗教人类学研究
7.
The Special Ritual of Conducting Taoist Offerings on September 9th in Wudang MountainAn Investigation into Religious Anthropology
武当山道教九月初九真武斋醮法事实录——宗教人类学考察报告
8.
An Anthropological Analysis on Religion Matters of Guangxi in the Period of Republic of China;
民国时期广西宗教问题的人类学分析
9.
The Relationship Between Science and Religion from the Perspective of the Development of Human History;
从人类历史发展看科学和宗教的关系
10.
Philosophy,Religion and the Awakening of the Ancient Indian Human Spirit;
哲学、宗教与古代印度人类精神的觉醒
11.
Social Functions of Religious Rites--an Anthropological Perspective
从人类学视野看宗教仪式的社会功能
12.
The Pattern of Religious Culture:Toward a New Theory for China s Ethnological and Anthropological Studies;
宗教文化类型——中国民族学·人类学理论新探
13.
Significance of Religion to Human Being--Briefly on the Religious Philosophy of Kant and Hegel
宗教对于人类的意义——简论康德与黑格尔的宗教哲学
14.
A General Survey of the Early Studies on the Function of Religion in Anthropology and Sociology;
人类学界和社会学界早期宗教功能研究述略
15.
the theological doctrine that all people will eventually be saved.
认为所有人类最终都会被拯救的宗教学说。
16.
Religion and science are important components of human culture.
科学与宗教是人类文化中的两大重要因素。
17.
An Anthropological Study of the Non-Governmental Organization "Shengyu Tan" in Weishan;
巍山民间宗教组织“圣谕坛”的人类学浅探
18.
The Anthropological Explanation on " Tangka" Regarded as Artistic Style of Folk Religion of the Tibetans;
对藏族民间宗教艺术形式——“唐卡”的人类学阐释