1.
Banter and Game--Study of the Aesthetic Connotation of Bantering Performance in the South Drama;
谐谑与游戏——试论宋元南戏谐谑表演的审美意义
2.
The performer in a minstrel show who is placed midway between the end men and engages in banter with them.
问话者在滑稽说唱表演中,站在滑稽插话演员中间与他们戏谑的演员
3.
Wen Xin Diao Long Xie Yin--Theoretical Interpretation of Bantering Novel;

《文心雕龙·谐讔》——谐谑小说的理论阐释
4.
Used to express amusement or scorn.

用来表示戏谑或嘲讽
5.
Banter and Bash:Barthelme’s Deconstruction of Classic;

谐谑与狂欢:巴塞尔姆对经典的颠覆
6.
Scolded-matchmaker:the Origin of Female Bantering Discourse in Tujia Traditional Marital Culture
骂媒:土家族女性婚俗谐谑话语原点
7.
This writer' s plays are marked by a gentle humor.

这位作家写的戏剧有谐而不谑的幽默感。
8.
A Tentative Analysis on Musical Declarative Structures in Chopin s Scherzos;

肖邦谐谑曲音乐语言陈述结构的初步分析
9.
Discussion on the relationship between bantering poems of the late Tang and Five Dynasties and the jocular cultural practice
唐末五代谐谑诗与谐趣潮流探赜——从“郑五歇后体”谈起
10.
He insists over and over that his task is not buffoonery, but teaching (or even preaching).
他再三坚持说他的工作不是谐谑而是教导(甚至是说教)。
11.
a tonsorial artist [ parlour ]

[谑]理发师[店]
12.
He could not divine what her look signified.whether she spoke in earnest or in jest.

他看不透她脸上的表情,究竟她说的是认真的还是戏谑的。
13.
And in scenes like that, where the end is slightly witty, then there's a lot of ad-libbing.
在这样结尾有点诙谐的场景里,就会有许多即兴表演。
14.
His dramatic acting style and weedy humor delighted the audience.

观众对他戏剧性的表演形式和诙谐幽默感很欣赏。
15.
The most striking performance is made by chou, who is charmingly naive, kind, humorous and optimistic.
其中以丑的表演最为突出,是憨厚可亲、诙谐乐观的农民形象,
16.
His singing and recitation are good and clear; his performance is humorous and witty.

唱念俱佳,文武兼备,表演诙谐风趣,嬉戏怒骂皆能入戏。
17.
he replaced his teeth with buffooneries, his hair with mirth, his health with irony, his weeping eye laughed incessantly.
他把谐谑代替他的牙,欢乐代替他的发,讥讽代替他的健康,那只泪汪汪的眼睛也总是笑眯眯的。
18.
Teasing and Humorous Terms of "Journey to the West" Demonstrating Children s Interest--The Language Art of "Journey to the West" From Children Esthetics Field of View;
戏谑诙谐话“西游” 别样视角显童趣——儿童美学视野下《西游记》的语言艺术