1.
Zhang Binglin s ChengYunTu and His Theory of Final Shift;
章炳麟的《成均图》及“音转理论”
2.
Talk about the Reason and the Rationality for the Mundane Change of Pop Music;
论流行音乐世俗转向的原因及合理性
3.
On Transform of Teaching Idea of Music Appreciation in Colleges and Universities;
试论普通高校音乐欣赏教学理念的转变
4.
From Methodology to Philosophy of Culture:Perspectives and Subdivisions in Contemporary Ethno-musicology;
从学科方法论到文化哲学观:现代民族音乐学理论的转型与分层
5.
phonemically transcribed.
按照音位学原理转录。
6.
Atonality Theory: Symmetry Theory and Pitch Class Set Theory;
无调性音高理论中的对称理论与音级集合理论
7.
Voice-Leading Transformations of Diatonic Seventh Chords:Neo-Riemannian Concepts in Harmonic Practice of Popular Music;
自然音七和弦声部进行的转换——用新黎曼主义理论的观点分析流行音乐中的和声进行
8.
On the Sensation of Tone As a Physiological Basis for the Theory of Music
音乐理论的生理基础
9.
On Theory on Reception and Zhiyin of Ancient China;
简论中国古代“接受”理论和“知音”理论
10.
Review of The Syllable Edited by Harry van der Hulst & Nancy A. Ritter;
现代音系学音节理论面面观——《音节论:理论与事实》述要
11.
The Role of Suprasegmentals in Listening Comprehension
试论超音段音位在听力理解中的作用
12.
The Probabilistic Postprocessing Algorithm for Homonym in Chinese Syllable-to-Word Transcription
汉语音字转换中同音字(词)的概率后处理
13.
Review of Confidant: Considering Liu Xie s Artistic Literary Criticism in his "Wen Xin Diao Long .Confidant;
论“知音”——从《文心雕龙·知音》看刘勰文学鉴赏理论
14.
On the Tone System with Different Nationality Scale
论音体系与各民族的音阶——兼论世界民族音乐在乐理教学中的定位
15.
On "tune" and "tonality" in music theoretical term;
论音乐理论术语中的“调”与“调性”
16.
The Inner Rhythm in the History of New Poem Phonetic Format Theory;
新诗语音形式理论史上的“内在韵律论”
17.
On Frost s “Sentence Sound”;
论弗罗斯特的“句子——声音”的理论意义
18.
Incorporating the Legal Pinyin Table into our system the ambiguity problem was solved in the transformation from Braille to Pinyin.
论文通过引入音码表 ,很好地解决了盲文到拼音转换中的歧义问题。