1.
Discussion on the Figures of Ungrateful Men in Chinese Opera Literature;
略论中国戏曲文学中的负心男子形象
2.
Research on Ancient Opera of the History of Chinese Literature
中国文学史中的古代戏曲研究（1904-1949）
3.
Prefaces of A Comprehensive History of Traditional Chinese Opera and The Ancient Chinese Literature Studies Series;
《中国戏曲通鉴》序·《中国古代文学研究丛书》序
4.
Research on the Development of Traditional Opera in Ancient China from the Point of View of Catalogue;
从目录学角度探究中国古代戏曲文献之发展
5.
The Cultural Implication of "A Man Disguised in A Female Attire" in Chinese Ancient Opera
中国古代戏曲中“男扮女装”的文化含义
6.
Cultural Traditions of Ghost-or-Spirit Image in CHinese Traditional:Opera and Western Drama;
中国戏曲与西方戏剧鬼魂形象的文化渊源
7.
The orchestra of traditional opera consists of percussion, stringed and wind instruments.
中国古代戏曲伴奏需要文场和武场。
8.
The Cultural Interpretation of "Soul" and "Dream" in Chinese Ancient Opera;
中国古代戏曲“魂”、“梦”现象的文化阐释
9.
Combination of Cultural Spirit and Artistic Elements of Chinese Xiqu Opera
中国戏曲文化精神与艺术元素的组合
10.
Conditions that Opera Literature Originates in and Its Development in China;
戏曲文学从祭祀里产生的条件及其在中国的过程
11.
Rereading of Wangguowei’s Songyuan xiqushi;
王国维《宋元戏曲史》中的文艺美学思想及其现代误读
12.
On Teaching of Opera Music in Junior Middele School;
让中国戏曲走近学生——初中段戏曲音乐的教学与实践
13.
Waiting for Godot and the Traditional Chinese Opera;
《等待戈多》与中国戏曲——兼议戏曲的跨文化实验与创新
14.
The Research on the Development of Play-within-a-play in Chinese Classical Dramas;
中国古典戏曲中“戏中戏”的发展研究
15.
Esthetics Thought on the Nv Xiaosheng Art in Chinese Traditional Opera;
中国戏曲女小生艺术现象的美学思考
16.
On the Art Form and Aesthetic Characteristics of Chinese Opera
论中国戏曲的艺术形态及其美学特征
17.
Sign Without Soul:Loss of Traditional Chinese Opera from the Perspective of Shaoxing Opera;
没有灵魂的符号:“诗落”的中国传统戏曲——以越剧为话题的戏曲诗学观
18.
China Drama's Development Prospect from Drama Development History
从戏曲发展史看中国戏曲的发展前景