1.
The Dramatic Literature of the Ming and Qing Dynasties in Gansu Province;
甘肃明清戏曲抄本初鉴兼论甘肃戏曲文化背景的历史成因
2.
Documentation Value of Opera Scripts and "Script-based Approach to Opera Studies"
戏曲剧本的文献价值与“以戏证戏”
3.
A copy, as of a book.
抄本如一本书的抄本
4.
Drama Propagation: the Development of Zhezi Opera,Short Play and Selected Sc Play;
折子戏·短剧·单齣选本与戏曲传播
5.
Prefaces of Kyokutebakin s Novels and Li Yu s View on Dramatics-novels;
曲亭马琴读本序跋与李渔戏曲小说论
6.
A variant reading or transcription of a text or copy.
异文一文本或抄本的变体读本或抄本
7.
The theme representing the music-drama is the same as the content of the dramas basically.
民间美术反映戏曲的主题与戏曲的内容基本上是一致的。
8.
Two Levels of the Xiqu Opera Spreading--On the Basic and Extended Spreading of the Xiqu Opera;
戏曲传播的两个层次——论戏曲的本位传播和延伸传播
9.
Viewing the Changes in the Idea on Opera from the Publication of the Ancient Opera Texts around the Period of Republic;
从民国前后古代戏曲文本的印行看戏曲观念之变迁
10.
Aesthetic Ideal of Traditional Operas On Emphasizing Inherent Qualities--Part of research in Xu Wei’s aesthetic ideology in traditional opera;
“每右本色”的戏曲审美理想——徐渭戏曲美学思想研究之一
11.
Study on Folk Essentials of the Local Opera s Music Creation in Ming Dynasty;
明代戏曲音乐创作之民间性本质研究
12.
The Research on "Three Selected Volumes of South FuJian Opera and Music Published in the Ming Dynasty" Rhyme;
《明刊闽南戏曲弦管选本三种》用韵研究
13.
A Comparative Study on the Editions Between the Ancient Novels and Operas;
中国古代小说、戏曲版本之比较研究
14.
Sincere,Witty and Natural--Discussing of the Truth of WU Mei s Opera;
真率风趣留本色——吴梅论戏曲真实
15.
The Operas about The Dream of the Red Chamber in Qing Dynasty:Reception and Misunderstanding;
清代红楼戏曲:文本意义的接受与误读
16.
The "originally simplicity approach"in theories about Chinese classical opera;
中国古典戏曲理论中的“当行本色”论
17.
The Characteristics of Jin Sheng-tan s Acceptance Theory of the Commentary on the Novels and Drama;
金圣叹小说戏曲接受理论的基本特色
18.
Historical Process of the Creation of Local Northeastern Operas(Ⅱ)
创建东北本土戏曲剧种的历史进程(中)