1.
A KNOT WHEREIN MODERN POLITICAL AWARENESS AND THE NATIONAL TRADITIONAL CULTURAL AWARENESS TWISTED TOGETHER;
当代政治意识与民族传统文化意识的扭结——从天安门诗歌到“哀思文学”潮流
2.
Sorrow and Sorrow for Objects;
“哀”与“物哀”——论日本古典文学的感伤悲美
3.
A mournful or elegiac poem or other literary work.
挽歌，悼词哀戚或悲哀的诗或其他文学作品
4.
Loliee s "Prids And Prejudice"--A Rereading of Loliee s A History of Comparative Literature;
洛里哀的“傲慢与偏见”——重读洛里哀的《比较文学史》
5.
Stylistic Analysis of "A Valediction: Forbidding Mourning";
文学文体学视阈中的《别离辞·节哀》
6.
Aesthetic Ideology against Confucianism in Jikang s Sound without Dirge;
嵇康《声无哀乐论》中反儒学的美学思想
7.
On Ji Kang s Philosophical and Aesthetic Thought that Music Embodies no Emotions;
论嵇康“声无哀乐”的哲学美学思想
8.
Music Aesthetic Ideas in Sound without Dirge;
《声无哀乐论》音乐美学思想研究述评
9.
The Harmony Aesthetical Ideology in Ji Kang s No Sadness in Music;
论嵇康《声无哀乐论》的“和”美学思想
10.
On Music is Irrelevant to Grief or Joy-Analysis of Ji Kang' Music Aesthetics
从《声无哀乐论》看嵇康的音乐美学思想
11.
About HUANG Dao-zhou's Music Aesthetics:A Comparison Between his Debates againt Ji Kang's Sound,no Sorrow or Joy
从《声无哀乐辩》与《声无哀乐论》的比较中看黄道周音乐美学思想
12.
Negation and Affirmation,Antagonism and Sorrow --On the Philosophical Polytone of Existential Literature;
否定与肯定 对抗与悲哀——存在文学哲学复调探微
13.
Moliere was not only a comprehensive person in classical literature, but also an exploiter in modern literature.
莫里哀是文学史上古典文学的集大成者,近代文学的开拓者。
14.
Ji Kang s Ideology of Music Aesthetics;
和声无象 哀心有主——论嵇康的音乐美学思想
15.
A Study On “Sounds Neither Sad nor Happy” --From the Perspective of JI Kang s Aesthetic Thoughts;
“声无哀乐”之我见——从嵇康的音乐美学思想谈起
16.
Xu Zhenya’s Unblissful Love Adventure and Career of Melancholy Literature
“鸳蝴派”始基徐枕亚的舛错婚恋与哀情文学生涯
17.
An Aesthetic Interest that Regards the Sad as the Beautiful --A Tentative Analysis of Mononoawale in Japanese Literature;
以悲为美的审美情趣——日本文学理念“物哀”试析
18.
The Sadness of Feminism Literary Image--Take the Jane Eyre & Zhong Yu as the Exampie
女权主义文学形象的悲哀——以简·爱和钟雨为例