1.
Dong Qichang View of Calligraph from "Hua chan Shi Sui Bi";
从《画禅室随笔》读董其昌的书法艺术观
2.
It was a pendent problem in the history of drawing who was the author of Essa y of Huachan Study.
《画禅室随笔》的作者究竟是谁,这始终是一个在画史上引得争议的话题。
3.
On the Influence of Chan Sect on the Traditional Chinese Painting Art from the Perspective of its Characteristics after the Rise of Chan Sect;
从禅宗兴起后中国画意境的特点来看禅宗对中国画意境的影响
4.
On the Zen Buddhism s Influence on the Thinking Mode of Chinese Literati Painting;
禅宗对中国文人绘画思维方式的影响
5.
On Sense of Picture and Chan of A Letter to Peidi from Wangchuan Mountain Villa;
《山中与裴秀才迪书》中的画意和禅趣
6.
On the Influence of Deep Meditation while Sitting Quietly upon the Formation of Ancient Chinese Ink and Wash Painting;
论禅定对中国古代水墨画形成的影响
7.
Appreciation of the Painting Art of Badashanren from the Perspective of Zen Buddhism
从道禅角度品读八大山人的绘画艺术
8.
The Zen Thought Often Waits for in the Imperial Sacrifices Painterwork in the Law the Seepage and Manifests;
禅宗思想在法常等禅僧画家作品中的渗透和体现
9.
Try Commenting on the Effect That the Popularity of Zen to the Development of Literati Painting in the Song Dynasty;
试论禅悦之风对宋代文人画发展的影响
10.
On the Impact of Zen thinking on the Ancient Chinese Literati Paintings;
简论禅宗思想对中国古代文人画的影响
11.
Poem, Meditative Mind and Life--On Wang Wei’s Living Wisdom in His Landscape Poems;
诗画·禅观·人生——王维山水诗生存智慧探微
12.
Baiyang s Celestial Being and Qingteng s Dhyana --Also on the Mainstream and Changes of Scholar s Painting;
白阳之“仙”与青藤之“禅”——兼论文人画之主流与潜变
13.
The Zenish Spirits in Su Shi s View of "Place Interest on Painting and Calligraphy but Not be Indulged in";
论苏轼“寓意而不留意”书画观的禅门精神
14.
Buddhist Destiny and Meditative Mind--From the Simplified Paintings of LiangKai to the Paintings of Buddhist-Taoist Figures of MuXi;
佛缘禅思——从梁楷的减笔体到牧溪的道释人物画
15.
Vivid Landscapes With Wonderful Buddhist Ideas--on the Beauty of Music in WANG Wei s Pastoral Poetry;
画面灵动 禅韵悠扬——谈王维山水田园诗的音乐美
16.
Zen:the Essence of Painting--Review of Study of Shi Tao by Prof. Zhu Liangzhi
禅是“一画”之髓——朱良志先生《石涛研究》读后
17.
Contrast between Landscape Painting Creation and Deep Meditation of Chan Buddism
山水画艺术创作与南北禅宗修为方式的话语对照
18.
Wang Wei, a painter in the Mid - Tang Dynasty, introduced Dhyana into his painting and created his " landscape ink - painting" , which had had an important effect on the development of the Chinese landscape ink - painting.
中唐的王维以禅入画而作“破墨山水”,对以后中国山水画的发展产生了重要影响。