1.
Alliteration and assonance is not only a language phenomenon, but also an artistic one in poems.
诗歌中的双声叠韵既是语言现象，又是艺术现象。
2.
Du Fu is most skillful in using alliteration and assonance in his poems and he uses it most often than any other poets.
杜甫最善于使用双声叠韵，其数量之多，结撰之精妙，是其他诗人不及的。
3.
The aesthetic meaning of reiterative locution in LI Yi-an s Ci;
易安词双叠的妙用及叠韵双声的美学探微
4.
He loved to play with words, to jingle them, to make puns with them.
他喜欢作文字游戏，玩弄声韵和双关语。
5.
Families 末 and 未 in Guangyun and the Nine Pairs of Twins;
《广韵》“末、未”谐声系统及其间九对“双胞胎”
6.
Acoustic Analysis of the Prosodic Features of the Disyllabic Words in Uyghur Language
维吾尔语双音节词韵律特征声学分析
7.
Exploring the English Alliteration and Its Differences with the Chinese“Shuang Sheng”;
论英语中的头韵及其与汉语的“双声”的区别
8.
A Study of Rhyming in Poetry and Prose in the Liang Dynasty;
梁代诗文阳声韵入声韵用韵数理分析
9.
Study on Phonetic System of Zengxiuhuzhulibuyunlue;
《增修互注礼部韵略》声韵系统研究
10.
An Analysis to the Cognates from Yang-Rhyme of Tong-Group and Jiang-Group in Guang-Yun;
《广韵》通、江两摄阳声韵同源词探析
11.
The Separation and Combination of Ancient Entering Tone inyinyunjicheng;
论《音韵集成》对中古入声韵的分并
12.
Studies on the Evolution of Nasal Rhythm End and Consonant Rhythm End of Modern Age Chinese;
近代汉语阳声韵尾和入声韵尾的演变研究
13.
It is not in accordance with the law of the development of phonetics that Wei(?) is listed under Lei Rhyme(泪小韵) of falling tone in Qi Wei Rhyme(齐微韵) in Zhongyuan Yinyun(中原音韵).
《中原音韵》中,"?"列于"齐微"韵去声"泪"小韵下,不符合语音演变规律。
14.
Study on rhythm of the stromatolitic lamina in the manganese nodules from the East Pacific Ocean
东太平洋锰结核中叠层石纹层韵律的研究
15.
Relation between the pronunciation and the mianing of the cognate words of the group“蔓”and of this group s rhyming compounds;
“蔓”组同源词及相关叠韵复合词的音义关系探析
16.
The Multiple Charms of Life--A Multi-aesthetic Discussion about Theme of A Fine Black Horse
生命的“叠”韵——浅论《黑骏马》的多重审美意蕴
17.
The Pronunciation Types of the Endings of the Middle Chinese Yangsheng Rhyme in Modern Chinese Dialects
中古阳声韵韵尾在现代汉语方言中的读音类型
18.
On the "Sentiment, Sound and Charm" of Chinese;
论中国民族声乐艺术之“情、声、韵”