1.
Researching Achievements and Direction about Chinese Ancient Landscape paintings;
中国古代山水画研究的主要成果及发展趋势
2.
Different Stages in the Development of Ancient Chinese Landscape Painting and Their Characteristics;
论中国古代山水画发展的阶段性及其特点
3.
The Landscape Visualizing the Essence of Tao--Remarking on the Relations between the Traditional Chinese Landscape Paintings and the Laozi s Being Aesthetic;
山水以形媚道——谈中国古代山水画与老子之道的生命美学
4.
Bixing and Transference--Comparision of the ancient Chinese landscape painting and the romantic western landscape painting;
比兴与移情——中国古代山水画和西方浪漫主义风景画的比较研究
5.
Development and Evolution of Composition Mode of Ancient Traditional Chinese Landscape Painting--Re-discussion on the painting time of Han Xizai Yeyan Tu(Han Xizai’s Banquet at Night);
中国古代山水画构图模式的发展演变——续议《韩熙载夜宴图》制作年代
6.
People in the landscape and the landscape in the heart of people -Cultural interpretation of character interpersion in China s traditional landscape;
山水里的人与人心中的山水——中国古代山水画中人物点缀的文化解读
7.
On Aesthetic Value of Ancient Chinese Painting "Procedures" Factors;
试论中国古代山水画“程式化”因素的美学审美价值
8.
Tacit Creator in Cohesion with Grand Aesthetic Concepts--On the Relations between the Space Concepts in traditional Chinese Philosophical Thoughts and the Space Construction of the Ancient Chinese Landscape Painting
默契造化 与道同机——中国传统哲学思想中的空间观念与中国古代山水画的空间构造
9.
Li Ke-ran is a practician to transform Chinese paintings through sketching on nature, is a great master from classic landscape paintings to modern ones.
李可染是通过山水写生来改造中国画的实践者,是古典山水画向现代山水画过渡的大师。
10.
The Comparison between Traditional and Modern Chinese Landscape Painting;
传统中国山水画与现代中国山水画之比较
11.
Discussion on Relation between Chinese Classical Gardens and Chinese Landscape Painting;
论中国古典园林与中国山水画的关系
12.
Comparison and Research of Real Scene Landscape and Chinese Modern Landscape;
真景山水画与中国现代山水画的比较研究
13.
Talk of Traditional Chinese Landscape Paintings and Modern Landscape of the Aesthetic Characteristics
谈中国传统山水画与现代山水画之审美特征
14.
Breaking Temporal and Spatial Limits,Expressing Emotion and Creating Artistic Conception--Two Main Characteristics of Chinese Ancient Landscape Poetry and Paintings;
打破时空界限与抒胸怀创意境——论中国古代山水诗画的两大特征
15.
A Wild World: Image of Chinese Ancient Landscape Poetry
荒山野水:中国古代山水诗的意象世界
16.
On the Influence of Deep Meditation while Sitting Quietly upon the Formation of Ancient Chinese Ink and Wash Painting;
论禅定对中国古代水墨画形成的影响
17.
The Iconological Study of Chinese Landscape Painting in the Age of Mao Zedong Administration;
毛泽东时代中国山水画的图像学研究
18.
Some thoughts about the modernization of contemporary Chinese landscape painting
中国现代山水画的发展历程及其思考