1.
Technical Factors Leading the Evolution of Hui Pai Ancient Prints;
技术因素主导古代徽派版画风格的演变
2.
They played a transitional role between classical and modern Chinese painting.
海派画家群是中国古典绘画向现代绘画过渡中的一个重要环节。
3.
“Jian an Engraving”--Popular Way of Reading Pictures by Ancient Folks;
无书不图的“建安版画”——古代民间大众的读图方式
4.
Art Huizhou--Post-Xin an Art School s Ideal and Reality;
艺术徽州——后新安画派的理想与现实
5.
Poetic Space of the Hui Residential Building and Tadao Ando's Building
论徽派古民居与安藤建筑的“诗性”空间
6.
An Analysis on the Hui Characteristic of the Ming and Qing Dynasty’s Residence of Tongren on the East Mountain
铜仁东山明清古民居的徽派特征分析
7.
Edgar Degas, a Classicist Painter of the Impressionism
论印象画派中的古典主义画家——德加
8.
Discussion on the Comparisons between the Lijiang Painting School and Several Other Painting Schools of Contemporary Arts in China;
漓江画派与中国当代画坛诸画派若干比较刍议
9.
Wan Linian Huizhou and Jinling Two Place Print Illustrationg Relaions Research
万历年间徽州与金陵两地版画插图关系的研究
10.
Print Materials on the Impact of Change,On the Metal Plate Prints Replaced Stone Prints of Inevitability;
材料变更对平版画发展的影响——论金属平版画取代石版画的必然性
11.
The Evolution and Exceeding of the Styles of Modern Block Print Creation Pattern
当代版画创作样式画风的演进与超越
12.
engraving ,original, whether or not antique
刻版印书画原件,无论是否古董
13.
lithograph, original, whether or not antique
平版印刷画,原作,不论是否是仿古的
14.
Traditional Wood Block and Wood Carving in Gansu
远古神韵:甘肃传世木版画和木雕塑
15.
an old Dutch painting.
一幅古代荷兰油画。
16.
Cynic is the member of a sect of ancient Greek philosophers.
犬儒学派是古代希腊哲学学派的成员。
17.
The Influence of Palace Copperplate Engravings on Folk Spring Festival Pictures during the Qing Dynasty;
论清代宫廷铜版画对清代民间年画的影响
18.
Utstanding Value of the Nowadays Print in Nowadays Art;
当代版画在当代艺术中所凸显的价值