1.
An Analysis of the Omniscient Narrative in Seize the Day from the Perspective of Rhetorical Narratology;
《只争朝夕》全知叙述模式的修辞性叙事学分析
2.
AN ANALYSIS OF THE NARRATIVE TECHNIQUES OF MAO DUN S "DASHED HOPE" FROM VARIOUS ANGLES TAKING OMNISCIENT AS THE SUBJECT;
以全知为主体的多角度叙述——茅盾《幻灭》叙述模式析
3.
On the Transformation Model of Knowledge-limited Narrative Perspective of Tang s Ballade;
唐代叙事诗限知叙述视角转换模式试探
4.
Narrative Modes with HE as the Narrator;
“他”作为叙事者的两种窄视角叙述模式
5.
On PAN Wan-mu s Views of Narration Pattern in Zuo Commentary;
叙述学研究走进历史叙述文本——评潘万木的《〈左传〉叙述模式论》
6.
Objectivity in Flaubert s Madam Bovary by narrations;
从叙述模式和叙述语言看《包法利夫人》的客观性
7.
That's all I have to say about the horizontal lines!!
上述是关于水平线样式叙述的全部内容!
8.
Epistolary Narration in the Color Purple;
书信体叙述模式在《紫颜色》中的运用
9.
STYLE CONSTRUCTION AND NARRATION PATTERN OF SATIRICAL NOVELS IN THE MING AND QING DYNASTY;
明清讽刺小说的文体建构和叙述模式
10.
Pure Diegesis and Parody: The Narration Modes in Ulysses;
本真与戏仿:《尤利西斯》的叙述模式
11.
Family Novel:Decline or End of a Narrative Model;
家族小说:一种叙述模式的衰落或终结
12.
The Witch s Account: Folk Perspective Narration --A Tentative Insight into the Narration Standpoint of All s Settled;
招魂者言:现代民间叙述——试释《尘埃落定》的叙述模式
13.
An interpretation of Omniscient Narrators in Mao Dun’s Short Stories;
论茅盾短篇小说中的全知叙述者的现代品格
14.
Narrating the Voice of the Soul in All Known Perspective--On Luli's Imprisoned Green
全知视角下叙述心灵的声音——谈陆蠡《囚绿记》
15.
Analyze Slaughterhouse-Five s Narration of Mode of Entire-focalization;
《五号屠场》叙事的全聚焦模式分析
16.
The Old Formulized Statement That is Ever New-- On the Narrative Art in the Story about Uphill Dream;
古老而常新的模式化叙述——论“发迹变泰”故事的叙事艺术
17.
Construction and Deconstruction of Opposition between Subject and Object in Ivan Kl(?)ma s Narrative Style;
伊凡·克里玛的主客对立叙述模式及其解构策略
18.
Portrait and Language of Prostitutes in Modern Literature;
论现代文学叙述中妓女形象谱系与话语模式