1.
Shouping Yun "Mogu" Painting to Contemporarye Xpanding Ink and Wash Painting Language Inspiration;
恽寿平的没骨法对当代拓展水墨画语言的启发
2.
Brush and ink are the main tools in traditional chinese painting.
笔墨是传统中国画主要表现语言。
3.
On the Metaphorical characteristics of Zhu Da s Drawing Language;
“墨点无多泪点多”——论朱耷绘画语言的隐喻特征
4.
Spirits in the Moving of Writing Brush──On Mr. Hua Qimin s Stroke Language of the Figure Painting;
笔歌墨舞见精神——论华其敏先生人物画的笔墨语言
5.
The Comparison in Painting Languages between Chinese Landscape Painting and Western Landscape Oil Painting;
中国山水画与西方风景油画绘画语言之比较
6.
From Tang Dynasty to the end of Qing Dynasty, wash painting language was developed to the extreme by degrees.
从唐代至清末，水墨语言被文人一步步推向了极端，第三部分描写了造成水墨主导绘画的主要原因。
7.
Study on the Development of Ink Image and Figure Paintings;
水墨墨象与水墨人物画演进历程试探
8.
The Utilization of Chinese Ink Painting in Ink Animation
浅谈中国水墨画在水墨动画中的运用
9.
Analyzes the Chinese Portrait under Different Historic Condition Evolutionary Process;
浅析中国水墨人物画在不同语境下的演化过程
10.
Marked by inferiority to an expected standard of familiarity with language and literature.
墨水少的显得不够公认的语言文字水平的
11.
Fusion and Boundary--A Restrited View of Chinese Modern Watercolor from the Paintings Language;
融合与边界——从绘画语言管窥中国当代水彩画
12.
A Study on Merging National Painting Language in Skills of Watercolor Painting;
浅谈水彩画技法中民族绘画语言的融汇
13.
The Invariability and Variability in Watercolour;
论水彩画本体语言的恒定性与变化性
14.
Look Epochal Character and Production of Landscape Painting s Discourse from Shi Lu;
从石鲁看时代性与山水画语言的生成
15.
A thin layer of water color or India ink spread on a drawing.
画上的薄层水彩或墨汁
16.
The Haracteristics of Watercolour and the Production Guidance for Watercolour Filter;
水彩画语言特质的提取对水彩滤镜的制作指导
17.
Research on Computer Simulation of Diffusion of Chinese Ink Paint
水墨画计算机仿真的墨扩散效果研究
18.
Where should the"Tadpoles"go?--The Trend of Animated Cartoon in Ink and Wash Painting in Post-modernist Cultural Context
“小蝌蚪”该游向何方?——后现代文化语境中水墨动画之走向探析