1.
Why cannot Chinese Modern Engraving Turn to the Contemporary?--Engraving Aphonia and Language Transfer
中国现代版画何以不能转向当代?——版画之失语与语言转换
2.
The Transformation of the Modern Print s Art Language under the Contemporary Art Semantic;
论当代艺术语境下中国现代版画艺术语言的转换
3.
Digital Prints a Unique Art Form with Modern Values;
现代数码版画独特的艺术形态与价值
4.
Modern Printing and Print Technique Artistic Creation Space;
现代印刷与版画技法的艺术创造空间
5.
The Advantages of Modern Imaging Technology in the Screen Printing
论现代图像技术在丝网版画中的优势
6.
Current Situation and Prospect of the Chinese Contemporary Prints Market
中国当代版画艺术市场现状及其前景
7.
The woodcut reproduced below circulated in print in the1520 s.
下图重现的是16世纪20年代流通的木版画。
8.
The Design Consciousness and Modern Usage of Zhuxian Town New Year Xylograph;
朱仙镇木版年画的设计意识及其现代应用
9.
The Consideration on Culture Shape of Chinese Modern Watermark Print Language;
对中国现代水印版画语言文化形态的思考
10.
Brief Analysis Chinese Rim Angle Landscape Painting to Modern Format Design Enlightenment;
浅析中国边角山水画对现代版式设计的启示
11.
Interpreting and Structuring the Black and White Language of Modern Wood Engraving Art;
我国现代木版画黑白语言的解读与建构
12.
White Horse Is Not a Horse──Talking about the Boundary Line between Digital Images and Engravings;
此码非马──论现代数码图像与版画的界线
13.
With the adoption of metal printing and some new printing technology, woodblock printing gradually declined.
在近代金属制版和新的印制技术出现以后，木版年画又随之衰落。
14.
Print Materials on the Impact of Change,On the Metal Plate Prints Replaced Stone Prints of Inevitability;
材料变更对平版画发展的影响——论金属平版画取代石版画的必然性
15.
The Evolution and Exceeding of the Styles of Modern Block Print Creation Pattern
当代版画创作样式画风的演进与超越
16.
Thinking of the Current Situation of the Traditional Print, Research of Skill and Technique and Psychlolgy of the New Concept Print;
传统版画现状思考与新概念版画技法研究
17.
The Influence of Palace Copperplate Engravings on Folk Spring Festival Pictures during the Qing Dynasty;
论清代宫廷铜版画对清代民间年画的影响
18.
Utstanding Value of the Nowadays Print in Nowadays Art;
当代版画在当代艺术中所凸显的价值