1.
On the Impersonal Lyricism Strategies in Bian Zhilin s Poetry;
论卞之琳诗歌的“非个人化抒情”策略
2.
The Evolvement and the Cultural Perspectives of Beauty Images;
论美人意象的抒情模式及其文化内涵
3.
Of or relating to a writer of poems in this category.
抒情诗人抒情诗人或与其有关的
4.
A poet, especially a lyric poet.
诗人，尤指抒情诗人
5.
On Development of the Lyrical Leading Characters in Novels of the Creative Community;
论创造社小说中抒情主人公的发展变化
6.
Expressing Emotion With Novel SU Man s Way of Expressing Emotion With Novel;
以小说抒情——评苏曼殊小说的抒情化追求
7.
concerning things deeply private and personal.
与非常个人和私人化的事情有关。
8.
Literary Expressions of "Alienated"Theories --Benjamin: A Lyric Poet in the Era of Hight Capitalism
“异化”理论的文学化表达——读本雅明《发达资本主义时代的抒情诗人》
9.
Non-fiction: Lyrical Historical Novel--On History of the Soul from the Perspective of Stylistics;
非虚构——抒情历史小说——《心灵史》文体论
10.
Circumstances of bourgesois privacy in the modern age deprived individuals of scope for Grand Passions.
现代资产阶级离群索居的习性，使个人失去了抒发激情的机会。
11.
Shelley, England's greatest lyric poet, came of a family of some importance and power.
英国最伟大的抒情诗人雪莱,出身于一个有点地位和权势的家庭。
12.
On the Character of the Aesthetic Consfruction of the Modern Group s Individual Lyricas before the Aati-Japanese War;
抗战前现代派个人抒情在诗歌审美建构方面的特点
13.
Expression of Emotions,Expression of Spirits and Display of Knowledge--The History of Popular Novels Development to Elegance in the Qing Dynasty;
抒情、言志到炫学——清代通俗小说文人化的历史轨迹
14.
On Images in Poetry of "Poets Group of Southwestern United University ":One of Objective Lyricism Tactics;
论“西南联大诗人群”诗歌中的意象——一种客观化抒情策略
15.
A Pathetically Moving Lyric --Analysing the Poeticized Art in Glass Menagerie;
一首哀婉动人的抒情诗——试析《玻璃动物园》的诗化艺术
16.
"A Fine Day after Snow": An Exploration beyond Pure Lyric Novels by Shen Congwen
《雪晴》:超越抒情的探索——沈从文小说抒情话语转型的一例个案分析
17.
Truth Endless but Within Mind Loneliness Spiritual but Lies in Universe--on Realistic Writing and Emotion Expression of Congwen Autobiography;
宽廓非外,寂寥非内——也谈《从文自传》的写实与抒情
18.
"19th-centtlry music was marked by intensely personal expressions of emotion. To assert individuality with greater freedom, composers disregarded the confines of set forms."
19世纪音乐的特点是尽情抒发个人情感。为争取更大自由，表现个性，作曲家摈弃了既定的教条。