1.
Emergence of Consciousness about Nature In Ancient Chinese Literature and Art;
山水意识在中国古代文学艺术中的形成与凸现
2.
On the Spatial Consciousness of Chinese Landscape Poetry and Landscape Paintings;
略论中国山水诗与山水画之空间意识
3.
Space Imagination and Modern Painting;
王蒙“空间幻象”与现代山水画空间意识
4.
Development of His Aesthetic Conception in Liu Zongyuan s Landscape Writings;
柳宗元山水文学审美意识的心路历程
5.
On the Pictorial Sense and its Expression of Landscape Poems in Sha - Styled 8 - line Form;
“沙八行”山水诗的“画面”意识及其表现
6.
The Evolution of Aesthetic for Nature from Shijing to Chuci;
《诗经》至《楚辞》山水审美意识之演进
7.
From Dong Yuan to Wang Yuanqi: the Weakening of Terrain Consciousness and the Strengthening of That on Order in Landscape Paintings
从董源到王原祁:山水画地域意识的弱化与秩序意识的强化
8.
Comparison the Space Awareness in the Poetry and the Painting of East Jin and South Dynasty;
东晋南朝时期山水诗、画空间意识的比较
9.
On the Consciousness of Life and Nature in the Psychological Structure of Ancient Chinese;
中国古代民族文化心理结构中的山水生命意识
10.
The Conceptions of Fengshui and Environment Reflected by Taoist Buildings in Wudang Mountains;
试论武当山道教建筑群的风水观念和环境意识
11.
The Embodiment of Life Consciousness in the Scenic Poems of the Wei Dynasty Jin Dynasty and Northern and Southern Dynasties;
魏晋南北朝山水诗对人生命意识的体现
12.
Recognizing Excellent Paintings 50 Years Later--Contemporary Significance of Huang Binhong s Landscape Paintings;
五十年后识“真画”——黄宾虹山水画艺术的当代意义
13.
Recitation to Land and water --Comparisons of return to native between Xiao Hong and Chi Zijian;
行吟在山水之间——萧红、迟子建乡土意识之比较
14.
The individual consciousness and the character of time of ZhangDai’s landscape essays;
张岱山水小品文的个性意识与时代内涵
15.
The Distant,Hidden and Occult Artistic Concepts--on the consciousness of space in the landscape paintings in Song and Yuan Dynasty;
远境·藏境·玄境——论宋元山水画所表现的空间意识
16.
Cavalier Perspective of Chinese Landscape Painting under the Aesthetic of the Implied Sense
散点透视下中国山水画所蕴含的审美意识
17.
A Tentative Analysis on the Geomantic Philosophy in Chinese Landscape Paintings--Starting from A Picture of Wangchuan
从《辋川图》谈起——浅论中国山水画中的堪舆意识
18.
The Ecological Consciousness in Han Shaogong s Writing;
韩少功创作的生态意识——以跨文体长篇作品《山南水北》为例