1.
From Tang Dynasty to the end of Qing Dynasty, wash painting language was developed to the extreme by degrees.
从唐代至清末，水墨语言被文人一步步推向了极端，第三部分描写了造成水墨主导绘画的主要原因。
2.
Marked by inferiority to an expected standard of familiarity with language and literature.
墨水少的显得不够公认的语言文字水平的
3.
Shouping Yun "Mogu" Painting to Contemporarye Xpanding Ink and Wash Painting Language Inspiration;
恽寿平的没骨法对当代拓展水墨画语言的启发
4.
Use a needle and thread, paper, ink, flowers, music, cloth, words, glue, or wood.
创作时可以用针线、纸张、墨水、鲜花、音乐、布料、语言、胶水或木头。
5.
The Influence of the Natural Setting of South and North Area upon the Language Expression of Ink-painting;
南北地域自然环境对水墨山水艺术语言表现的影响
6.
Brush and ink are the main tools in traditional chinese painting.
笔墨是传统中国画主要表现语言。
7.
On the Mohist Idea of Language and Its Logical Permeation;
试析墨家的语言观与其逻辑的贯通性
8.
Looking at the Essence of Mo-ching Logic in View of Linguistic Levels of Modern Logic;
从现代逻辑的语言层次观看《墨经》逻辑
9.
Spirits in the Moving of Writing Brush──On Mr. Hua Qimin s Stroke Language of the Figure Painting;
笔歌墨舞见精神——论华其敏先生人物画的笔墨语言
10.
On Theories of Confucius and Mo Zi on the Development of Classical Chinese--An Appraoch to the Origin and System of Mo Zi's Ideology of Classical Chinese
孔子墨子论难文言范式流变考论(下)——墨子“语经”之源与体系
11.
He used red ink to delete the opening paragraph
他用红墨水涂掉了手稿中多余的词语。
12.
On the Metaphorical characteristics of Zhu Da s Drawing Language;
“墨点无多泪点多”——论朱耷绘画语言的隐喻特征
13.
A Study of Comparison of the Theories of Ianguage Communication about the Taoists,the Moists and the Confucianists in the Spring and Autumn and Warring States Periods;
先秦道家、墨家、儒家言语交际理论比较研究
14.
A Study of the Formation of Calligraphic Individual Pen and Ink Language--Demonstration Analysis of Regular Script
论书法艺术个性化笔墨语言的形成——以楷书为例
15.
We will raise the standard of language training;
提高中英语言教学水平；
16.
A small reservoir for ink.
墨水池小型贮墨水容器
17.
I received a letter written in green ink.
由绿色墨水书写的,应该是用过去分词做定语.
18.
Analyzes the Chinese Portrait under Different Historic Condition Evolutionary Process;
浅析中国水墨人物画在不同语境下的演化过程