1.
On Space Mage Mood of Gongxian's Landscape Panting
胸中丘壑承古开今 笔底墨韵愈老弥新
2.
On the Historical Evolution and Style Meta of Ink-rhyme Represented in Calligraphy;
论书法中墨韵表现的历史演进与风格流变
3.
six requirements for painting:spirit, charm,implication,composition,Brushwork and ink--applying technique
六要:气、韵、思、景、笔、墨(美术)
4.
Words Masculine and Feminine Elements Tone Vivid,Huang Binhong's Landscape Painting"Tone"Evaluation
笔墨阴阳 气韵生动——黄宾虹的山水画“气韵”评析
5.
The Lingering Charm Of No Prepared Chinese Ink;
无墨之韵——浅论中国山水画的“留白”艺术
6.
On the Idea of Vigor Appeal of the Chinese Ink and Wash Landscape Paintings;
关于中国水墨山水画艺术的“气韵”说
7.
On the Application of Line and Ink in the Poster;
承水墨之神韵 创设计之新路——论线墨在招贴中的运用
8.
Learning from Luo Pin, he liked to use dry ink with a side brush to draw flowers and birds.
得罗聘神韵，喜用枯笔焦墨，他的花鸟画很有个性。
9.
Classic Elegance Detached Character--the Beauty of "Brush and Ink" in Dong Qi-chang"s Painting;
古雅娟秀 气韵超然——董其昌绘画中的笔墨之美
10.
Huang Binhong s Original View on "Six Ways";
气关笔力 韵由墨彩——黄宾虹对“六法”之独见
11.
these painters inherited traditional Chinese painting skills to give vivid presentation of the figures they depicted.
他们重视继承前人的笔墨传统，关注作品中的气韵神采。
12.
There are six requirements for traditional Chinese painting, namely, spirit, charm, implication, composition, brushwork and ink application technique.
国画有六大要诀，即：神、韵、含蓄、构图、画风及用墨技巧。
13.
Free Brush and Ink Calligraphy with Charm--On the Works of a famous Scholastic Calligrapher SU Weidong;
恣肆翰墨 神韵天成——著名学者型书法家苏位东书艺赏评
14.
Boosting and appreciating traditional Chinese Painting--Comment on Chinese Animated Cartoon Music in the 20th Century;
激扬水墨精神 点化丹青灵韵——中国动画音乐创作述评
15.
The four great painters of the Yuan Dynasty were very careful with brush stroke techniques in order to show developed artistic ideas, and their works have great aesthetic values.
"元四家"的作品更注重笔墨技巧，更讲究意境神韵，使山水画的美学价值更加提高。
16.
On Phonology Transformation in"Guang Yun"and Phonology at Second and Third Grade in"Yun Jin;
论《广韵》变韵与《韵镜》二、三等韵之关系
17.
of or relating to measure.
韵律的或与韵律有关的。
18.
"Long" rhymes with "song".
"long"与"song"押韵。