1.
The Influence of Charles Chaplin’s Film Comedy upon the Ideas of Early Chinese Films;
卓别林喜剧电影对中国早期电影观念的影响
2.
Doctrine Carrying:Function View of Chinese Movie--On the Influence of"Taoist Orthodoxy"Concept on Chinese Movie and Movie Aesthetic;
载道：中国电影功能观念——“道统”观念对中国电影及电影审美观念的影响述略
3.
Change of Film Reflection Concept Bringing from Digital Technique;
数字技术带来的电影影像观念的变化
4.
Hong Shen Pushes Chinese Film Forward with His Modern Theater Concept;
洪深:以现代戏剧观念推进电影发展
5.
On Zhong Dian-fei s View on Film Aesthetics and His Personality;
论钟惦棐的电影美学观念和人格精神
6.
Distinction between Cinematography and the Commercial Concept in China across the Century;
跨世纪中国电影艺术与商业观念辨析
7.
On the Zhang Yimou Film Aesthetics and Practice of the Concept Constitutes
论张艺谋电影美学观念及其实践构成
8.
Arguments on the Concept of "Spectacle" in Film Studies and Its Practical Value
电影学“景观”概念的论争与实践价值
9.
Such notions have been around a lot longer than scary movies.
这种观念在恐怖电影出现之前便已流传许久。
10.
The film version requires greater suspension of disbelief than the book.
与原书比起来，电影版需要带给观众更多的悬念。
11.
The Historical Narration and Conceptual Explanation: The Restudies on the Developing History of Chinese Film (1929-1937);
历史叙述与观念阐释：发展期中国电影（1929—1937）重考
12.
On the Change of Performance Concept in Chinese Early Films;
浅议早期中国电影表演观念的流变(1905—1931)
13.
The Time Experience and the History Concept of Hong Kong Films after 1997;
“后九七”香港电影的时间体验与历史观念
14.
The Issues of Contemporary Chinese Children’s Film:from Ideas to Works;
从观念到作品:当前中国儿童电影的问题及发展
15.
The Views and Characteristics of Chinese Movie Aesthetics in Early Half of 20th Century;
20世纪前半期中国电影的美学观念及特征
16.
The Variation of Novel Cinematographic Adaptation Concept and Practice since 1949
建国60年小说电影改编的观念演变与实践
17.
From "Auxiliary" to "Image Thinking Aesthetics" --the Change of Ideasabout Movie Class in Primary and Middle Schools;
从“辅助”到“影像思维美”——中小学电影课在当代的观念转型
18.
Many movies are now made by independent producers with fresh ideas and approaches.
现在有许多电影是由具有新的观念和手法的制片人制作的。