1.
Keyboard Harmony Application Analysis about North Shaanxi Folk Song Phonochemical;
陕北民歌多声部之键盘和声因素探寻
2.
singing with three or more voice parts.
指三个或更多声部的歌唱。
3.
On the Polyphony in the Single-Line of the Violin Works by Bach;
论巴赫小提琴作品单线条中的多声部
4.
The Current Status,Protection and Prospect of Dong Nationality Multigart Folk Song;
侗族多声部民歌的现状及保护与发展
5.
On Narration Way of Multi-narrator in BEI Cun’s Fiction Ma Zhuo’s Love;
谈北村《玛卓的爱情》的多声部叙事
6.
Judging from Dong Nationality songs to know the scemmary of Chinese national complen voice;
浅谈中国多声部民歌中的“侗族大歌”
7.
Input Methods of Music Software ‘Encore’ & Multi- Part Composing Practice;
音乐软件Encore输入法及多声部写作实践
8.
The Polyphony Technique in Mongolian Folk Multi-Voice Part Music
蒙古族民间多声部音乐中的复调技法
9.
China's multiple-voice folksongs fall into five categories:
中国多声部民歌的织体结构即声部的结合方式有多种形态，归纳纳起来，共有以下5种:
10.
The Early Stage Of Development The Europe Polyphony Music;
欧洲多声部音乐的早期发展——兼论中国多声部音乐没有充分发展的原因
11.
The Sustained Sound Techniques of the Mongolian Folk Counterpoint Music;
蒙古族民间多声部音乐中的持续音技法
12.
Effects of multi-part chorus on interpersonal communication disorder in college students;
多声部合唱对大学生人际交往障碍的影响
13.
Effect Ways for Multi-voice Training in Solfeggio Teaching;
视唱练耳课教学中多声部训练的有效途径
14.
On Linear thinking Mode 0f Chinese Traditional Music and Evolution of Western Counterpoint;
中国传统音乐的“线”性思维与西方多声部音乐
15.
The Significance of Studying Counterpoint Local Folk Music and the Basic Methods;
论开展地方多声部民歌研究的意义与基本方法
16.
Various Ways of Narration in Retrospecting the Past Years---A Brief View About the Narrative Ways to Retrospect the Past Years;
普鲁斯特《追忆似水年华》的多声部叙事艺术
17.
The Theory of Branching and Multi-level--About the appearance and development of polyphony of Dong songs;
分岔·分层说——论侗歌多声部的产生与发展
18.
The Unusual Position of the Dong Chorus in Chinese Polyphonic Folk Songs;
侗族大歌在中国多声部民歌中的独特地位