1.
Following the gradual prospering of seal script and clerical script, calligraphic wind of stele school matured as well.
而随着篆隶书体的逐步繁荣，碑派书风亦走向成熟。
2.
The official script in calligraphy is a transition between seal character, and regular script.
隶体是书法从篆体到楷体的过渡。
3.
He was versed in Zhen Script, Xing script, Li script, Seal Character and Seal Cutting, especially expert at Seal Character.
他于真、行、隶、篆、篆刻等无所不工,尤擅于篆书。
4.
Li calligraphy developed from zhuan characters but it introduced the kai (regular script) characteristics.
隶书承上启下，上承篆书，下启楷书。
5.
and created a new calligraphy style by combining the regular, cursive, official and seal scripts.
他还创造了一种集真、草、隶、篆于一体的六分半书体。
6.
At the same time, a man called Cheng Miao invented lishu (official script).
除了小篆，在当时，有一个叫程邈的，发明了另一种新的字体——隶书。
7.
His calligraphy was inherited from the northern tablet styles and he learned li and zhuan calligraphy from Deng Shiru.
他的书法承北碑，篆隶师邓石如，
8.
It worships the practical calligraphy style like a seal character, official script and regular script and worships the calligraphy methods with practical attitude.
其表现主要在:对篆、隶、楷等实用书体的推重;以实用的态度崇尚笔法、书诀;
9.
There are five styles of calligraphy in the characters cut on the ancient money of China: Zhuan,Li,Zhen,Cao,Xing,each has his own merits,as if it is a China's fair of calligraphy.
中国古钱上的文字,篆、隶、真、草、行五体俱备,各臻其妙,俨然书法艺术之博览会。
10.
its decorative function is derived from the zhuan (seal characters) and li (official characters) scripts in Chinese calligraphy.
造型的装饰性与书法中的篆隶保持着内在联系。
11.
Li calligraphy broke the limitations of the zhuan type and diversified Chinese calligraphy.
作为书法艺术，隶书打破了原来篆书单一用笔的局限。
12.
During their long history of development, Chinese characters have evolved into many different script forms,such as the seal character,offical script,regular script and running script.
汉字在其漫长的发展史中演化成许多不同的书写形式,例如篆书,隶书,楷书和行书.
13.
On You-qie and its Revising Method in Zhuanli Wanxiang Mingyi;
论《篆隶万象名义》的“又切”及整理方法
14.
Some Errors in Explaination of Zhuanli Wanxiang Mingyi;
《篆隶万象名义》词义训释中的几种失误
15.
Quasi - Items of Meaning in Zhuanli Wanxiang Mingyi and Relative Mistakes;
《篆隶万象名义》“准义项”及其相关问题
16.
Some Errors of Explanation in Zhuan Li Wan Xiang Ming Yi;
《篆隶万象名义》释义上存在的几个问题
17.
Abnormal Chinese Characters and Their Types in Zhuan Li WanXiang MingYi;
《篆隶万象名义》中的俗字及其类型
18.
He adores Xu Wei, Ba Da, and Si Tao script, and the Eight Eccentrics of Yangshuo.
又潜心于历代书法名家的篆、、、、各体，而自成一家，书法造诣极深。