1.
The coexistence and interaction of the Changzhou School and Zhexi School of poetry in late Qing Dynasty;
论晚清词坛“常”、“浙”两派的共存与交融
2.
The Acceptance of Zhu Shan Ci by Jiang Jie in the Early Qing Dynasty
论清初词坛对蒋捷《竹山词》的受容
3.
Keeping Distance from the Chu Style:The Significance of the Chacun Style and Its Influence in the Late-Ming and Early-Qing Dynasties' Poetic Circles
“不染楚风”——茶村体之于晚明清初诗坛的意义及对清中期诗坛的影响
4.
Two Wangs Poets and the Literary Transformation In the Later Period of Ming Dynasty and Early Period of Qing Dynasty;
太仓两王氏诗人与晚明清初的诗坛流风
5.
Graceful and Self-contained: Evolution of Ci-Poetry during the Years of Huizong and Gaozong;
婀娜清刚相济美——论徽宗、高宗年间词坛之演变
6.
The vocabulary of the mosque: the minaret, the mihrab and the minbar.
清真寺这个单词：尖塔、坛和敏拜尔(为「座」指清真寺殿内的宣教台。
7.
The Concept Interpretation of Shanghai Lithograph Lyrics to Dagu in the Republic of China in Late Qing Dynasty;
晚清民国“上海石印鼓词”概念阐释
8.
Borrowing Words from Japanese in the Late Qing Dynasty and Early Period of the Republic of China and Its Apocalypse
晚清民初日语词汇进入汉语及其启示
9.
"Word-Annotation" in the Late Qing Dynasty
晚清“词语-注释”:汉语欧化与知识建构
10.
Ci Poets in the Late Qing Dynasty:Their Ci Theory and Their Theory of Criticism;
论晚清词学家的词学理论及其批评实践
11.
Study on the Famous Ci Poem of Tang and Song dynasty in the Ci Anthologies Compiled in the Late Qing and Republic of China
略论晚清民国词选中唐宋“名家词”的形成
12.
Common Emotion Tendency and Aesthetic Traits of Four Great Masters in Qing Dynastry;
晚清四大家词共通的情感倾向及其审美特征
13.
Forewords to Periodicals of Modern Novels and New Change in Concept;
晚清民初小说期刊发刊词与小说观念的新变
14.
On the Atmosphere of Night in Li Qingzhao s Ci;
永夜恹恹欢意少——浅论李清照词的夜晚氛围
15.
New Coinage of Legal Vocabulary in Late Qing Dynasty and Impact on Relation with Japan;
晚清法学新词的创制及其与日本的关系
16.
Women Writers Rhymed Novels Under the Late Qing Dynasty and “Rejuvenating Female Rights”;
闺中无静女——晚清女作家弹词与“振兴女权”
17.
Literary Trends in the Late Qing Dynasty and Transformation of Modern Lexical Studies;
晚清文学思潮与近现代词学批评的转型
18.
Emergence and Significance of the Female Storytellers' Career Since Late Qing Dynasty
晚清以来“女弹词”职业生涯的呈现及其意义